Das war die Frau von Potiphar
Die ungemein erfahren war
In allen Liebessachen, so Sachen, so Sachen
Jedoch der Gatte o contraer
Der war schon alt und konnt nicht mehr
Tirili, tirila tirili, tirila
Die schöne Frau bewachen, bewachen bewachen
Die pfiff doch auf die Sittsamkeit
Und machte sich nen Schlitz ins Kleid
Und fuhr hinaus nach Theben
Um dort sich auszuleben
Den Theben war für Memphis
Das was Lausanne für Genf ist
In der Bar zum Krokodil am Nil, am Nil am Nil
Verkehrten ganz inkognito
Der Josef und der Pharao
Dort tanzt man nur dreiviertel nackt
Zu Jimmy und Zweivierteltakt
Es traf mit der Geliebten sich
Des Abends ganz Ägypten sich
In der Bar zum Krokodil am schönen blauen Nil
Dem Gatten der Frau Potiphar
Dem wurde bald die Chose klar
Er sprach zu König Ramses
Zu Ramses, zu Ramses
Ich weiß was meine Gattin macht
Die fährt nach Theben jede Nacht
Tirili, tirila, tirili, tirila
Ja Majestät, da hamses, da hamses, da hamses
Darauf sagt ihm der Pharao
Dann machen wir es ebenso
Sie sehn wie doof es hier ist im Restaurant Osiris
Drum gehn als Philosphen wir auch nach Theben schwoofen
In der Bar zum Krokodil am Nil, am Nil am Nil
Verkehrten ganz inkognito
Der Josef und der Pharao
Mit Ramses saß heut in der Bar
Der Gatte der Frau Potiphar
Und aß von einem Feigenblatt
Gehackte Mumie mit Spinat
In der Bar zum Krokodil am schönen blauen Nil
Ein schlankes Mädchen, schwarz maskiert
Das hat die beiden fasziniert
Sie kaufen ihr Narzissen Narzissen Narzissen
Der Gatte der Frau Potiphar, der schneller als der Ramses war
Tirili tirila, tirili, tirila
Der wollt sie gerne küssen ja küssen ja küssen
Als er zum Ramses kam zurück
Da senkt er traurig seinen Blick
Und spuckte auf den Boden
Der Ramses fragt wieso denn
Worauf die Antwort schallte
Das Weib war meine Alte
In der Bar zum Krokodil, am Nil am Nil am Nil
Max Raabe (born Maximilian Raabe on March 10, 1964, in Berlin) is a German singer of international fame, known for his elegant and refined interpretation of music from the period between the two World Wars. Founder and leader of the Palast Orchester, a musical ensemble that recreates the sparkling atmosphere of German variety theaters of the 1920s and 1930s, Raabe has rediscovered and popularized a genre often forgotten, captivating audiences with his velvety voice and theatrical performances. His vocal style is characterized by great expressiveness and impeccable technique, capable of evoking the nostalgic and romantic atmosphere of the golden age of German cabaret. Besides original songs, Raabe also performs classics of German light music such as "Komm Süßer Tod", "Ich bin von Kopf bis Fuß verliebt" and "Das ist die Liebe". The Palast Orchester has collaborated with numerous international artists, including Ute Lemper and Robbie Williams. Among Max Raabe's most important albums are "Max Raabe and das Palast Orchester", "The Berlin Cabaret Songs" and "Weihnachtslieder".
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Motrip
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Fehlfarben
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