Nobody feels any pain
Tonight as I stand inside the rain
Ev'rybody knows
That Baby's got new clothes
But lately I see her ribbons and her bows
Have fallen from her curls.
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl.
Queen Mary, she's my friend
Yes, I believe I'll go see her again
Nobody has to guess
That Baby can't be blessed
Till she sees finally that she's like all the rest
With her fog, her amphetamine and her pearls.
She takes just like a woman, yes, she does
She makes love just like a woman, yes, she does
And she aches just like a woman
But she breaks just like a little girl.
It was raining from the first
And I was dying there of thirst
So I came in here
And your long-time curse hurts
But what's worse
Is this pain in here
I can't stay in here
Ain't it clear that
I just can't fit
Yes, I believe it's time for us to quit
When we meet again
Introduced as friends
Please don't let on that you knew me when
I was hungry and it was your world.
Ah, you fake just like a woman, yes, you do
You make love just like a woman, yes, you do
Then you ache just like a woman
But you break just like a little girl.
Judith Marjorie Collins, known simply as Judy Collins, is an American singer-songwriter and actress born in Seattle, Washington, in 1939. Considered one of the most influential figures in American folk music, she has gained international fame for her powerful and versatile soprano voice, capable of ranging from melodic singing to progressive rock. Her career, which began in the 1960s, is characterized by a vast discography that includes over 30 studio albums. Collins distinguished herself for her interpretation of traditional folk songs, such as Bob Dylan's «Blowin' in the Wind», and for her original compositions, including «Both Sides Now», which has become an timeless classic. Besides music, Collins is known for her social and political activism, supporting causes related to peace, civil rights, and the environment. She has collaborated with artists like Leonard Cohen, Joni Mitchell, and Stephen Stills, contributing to defining the evolution of American folk music. Among her most important albums are «Wildflowers» (1968), «Who Knows Where the Time Goes?» (1968) and «Judy Collins Live at Carnegie Hall» (1970).
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