Been a miner for a heart of gold
I haven't found it yet
Someone said it got sold in a back street killing
Now I've been searching for a heart apiece
But no one seems to think of me
And its just not willing
No, no please don't go
I've been lying here for day with no one
Wait, wait I've got something to say
If you don't listen there's no way or keep your karma right
Get your sleep at night
Don't give up the fight
Don't give up on life
Met a man in a back street station
Didn't have a life had no occupation
He started at me
Met a man in a back street station
Didn't have a life had no occupation
He scared the living daylights out of me
And he said no, no, please don't go
I've been lying for days with no one
Wait, wait please don't stay
I've got something you should say to keep your karma right
Get your sleep at night
Don't give up the fight
Don't give up on life
No, no please don't go
I've been laying here for day with no one
Wait, wait I've got something to say
If you don't listen there's no way just keep your karma right
Get your sleep at night
And don't give up the fight
And don't give up on life
And keep these to yourself
It will get you in the end you know
Laura Beatrice Marling (born February 1, 1986) is a British singer-songwriter known for her delicate melodies and introspective lyrics that explore themes of love, loss, and personal growth. She rose to prominence in the early 2000s with her acoustic folk style, influenced by British singer-songwriters such as Joni Mitchell and Nick Drake. Her debut album, *Alas I Cannot Swim* (2008), was critically acclaimed and established her as one of the most promising voices in contemporary music. Throughout her career, she has explored various musical genres, transitioning from folk to alternative rock, while maintaining a distinctive sonic identity. Some of her most notable albums include *I Speak Because I Can* (2010), *A Creature of Habit* (2013), and *Semper Femina* (2017). Marling has been nominated for numerous awards, including the Mercury Prize and the Brit Award.
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