King Electric motor onthe King is dead, the King is gone
The King is in us
Let his song play on ! I was cutting a dash down Bleecker Streetthe sewers were steaming underneath my feet
I looked down MacDougall 'bout half a blocksaid to myself that's where you come from
I got a vision right there and then in my mind's eyeyou in your finery strolling byhands on your hip and your guitar case,sound of the future blowing in your face King Electric motor onthe King is dead, the King is gone
The King is in us
Let his song play on ! I stepped down the stairs, ventured through the doorsound nearly blew me clean to SingaporeBlack man child waltzing 'cross the stagesqueezing guitar, singing "Purple Haze" King Electric motor onthe King is dead, the King is gone
The King is in us
Let his song play on !Play on ! I remember back home many moons ago
I had a front room band, you should have heard us blow
We was rough as a dog, loud as sinwith a lead guitar player name of Davy FlynnHe could play with his teeth, upside of his headhe could make that thing ring like a-raising the dead
You were his idol, you were his man
I didn't get it them Davy, now I understand King Electric motor onthe King is dead, the King is gone
The King is in us
Let his song play on ! 'Cause you were just too early, I was just too late
You were just too fine, you were just too great
You were just too real, you were just too true
This world wasn't beautiful enough for you
Mike Scott is a British sound engineer known for his work with artists such as The Cure, Depeche Mode, and Siouxsie and the Banshees. He is considered one of the pioneers of using innovative recording techniques in the 1980s, contributing to defining the distinctive sound of many post-punk and new wave bands. Scott has also worked as a producer and remixer, leaving a significant mark on the British music scene.
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