La clef qui s'accroche à mes doigts
N'est pas celle du paradis,
Elle porte sur un bout de bois
Un numéro gravé vingt-six;
Et l'ascenseur, trop lentement,
Nous mène à ce dernier étage
Où, bientôt, nous serons amants
Et il frissonne dans sa cage;
Il y a comme toujours de la faïence,
Comme toujours du papier à fleurs,
Et ce miroir qui vous relance,
Des têtes du genre à faire peur;
Y a toujours ce goût de tabac
Et d'alcool au fond de ma bouche,
Et toi, tu enlèves tes bas
Durant le temps que je me couche...
Ma compagne d'un seul naufrage,
Ma moins-que-rien, ma plus-que-tout !
Y aura-t-il jamais un rivage
Où pouvoir se tenir debout ?...
Voici les caresses brouillonnes,
Des baisers à peine ébauchés,
Et puis la vie qui vous tanne;
Faut profiter de ces péchés,
Les engranger dans sa mémoire
Car c'est bientôt dix heures...
Bon Dieu !
Il n'est que temps d'aller se boire
Le café crème des adieux...
Y a comme toujours un ciel tout gris,
Et ce petit vent qui vous gèle,
Et puis la sale gueule de Paris,
Et puis la pluie qui vous harcèle...
Nous ressemblons à deux enfants
Partageant la même bêtise;
Les noyaux viennent en leur temps
Sans qu'on ait connu les cerises !
Ma compagne d'un seul naufrage,
Ma moins-que-rien, ma plus-que-tout,
Y aura-t-il jamais un rivage
Où pouvoir se tenir debout ?
Debout...
Serge Reggiani (Sergio Reggiani), born in Milan on March 26, 1920, and died in Paris on February 18, 1994, was an Italian-born French singer and actor. After debuting as a singer in Italy in the 1940s, he moved to France in 1950, where he achieved great success with songs like "La vie en rose" and "Les Feuilles mortes". Reggiani was a performer of great elegance and sensitivity, capable of spanning from jazz to French chanson and operetta. He collaborated with important French composers such as Jacques Prévert and Charles Aznavour. Among his most notable albums are "Serge Reggiani chante Prévert" (1960) and "Les Feuilles mortes" (1962). Besides music, Reggiani also dedicated himself to cinema, acting in several French films.
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