La mamma morta m'hanno
alla porta della stanza mia;
Moriva e mi salvava!
poi a notte alta
io con Bersi errava,
quando ad un tratto
un livido bagliore guizza
e rischiara innanzi a' passi miei
la cupa via!
Guardo!
Bruciava il loco di mia culla!
Cosi fui sola!
E intorno il nulla!
Fame e miseria!
Il bisogno, il periglio!
Caddi malata,
e Bersi, buona e pura,
di sua bellezza ha fatto un mercato,
un contratto per me!
Porto sventura a chi bene mi vuole!
Fu in quel dolore
che a me venne l'amor!
Voce piena d'armonia e dice:
"Vivi ancora! Io son la vita!
Ne' miei occhi e il tuo cielo!
Tu non sei sola!
Le lacrime tue io le raccolgo!
Io sto sul tuo cammino e ti sorreggo!
Sorridi e spera! Io son l'amore!
Tutto intorno e sangue e fango?
Io son divino! Io son l'oblio!
Io sono il dio che sovra il mondo
scendo da l'empireo, fa della terra
un ciel! Ah!
Io son l'amore, io son l'amor, l'amor"
E l'angelo si accosta, bacia,
e vi bacia la morte!
Corpo di moribonda e il corpo mio.
Prendilo dunque.
Io son gia morta cosa!
Maria Callas (1923-1977), born Maria Anna Cecilia Sofia Kalogeropoulou, was one of the most celebrated sopranos of the 20th century. Born in New York to Greek parents, she moved to Greece and then Italy, where she began her operatic career. Known for her extraordinary vocal talent, expressive power, and dramatic interpretation, Callas dominated the world of opera in the 1950s and 1960s. Her lyrical voice, capable of an exceptional range and impeccable technique, allowed her to masterfully tackle Verdi roles such as Violetta in "La traviata" and Desdemona in "Otello". Among her most celebrated successes are also the role of Norma in Bellini's opera of the same name. Callas was an iconic figure, not only for her voice but also for her charisma and her often tumultuous personal life. She collaborated with some of the greatest conductors of the time, including Tullio Serafin and Herbert von Karajan. Her recordings are still considered milestones in classical music.
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