Il y a des jours interminables
il y a des heures inoubliables
il ya des mots impitoyables
il y a des gestes incomparables
il y a le temps de l’amitié
et tous les élans de la pitié
il y a les nuits ensoleillées
et combien de soleils gâchés
et c’est tout ca que l’on appelle la vie madame
la vie madame ce n’est que ça
des peccadilles de rien du tout qui vous enflamme
et des drames un peu partout qu’on ne voit pas
a peine le temps d’ouvrir les yeux
la neige brille à nos cheveux
on aurait voulu tout faire à deux
mais l’étreinte non pas nos vœux
il y a de l’espoir démesuré
et des symphonies inachevées
et de rêves en rêves on tient debout
avec ce qu’on a fait de nous
et c’est tout ca que l’on appelle la vie madame
la vie madame ce n’est que ça
mais c’est quand même le plus beau des mélodrames
dont le programme grosso modo ne change pas
il y a des jours invraisemblables
il y a des heures inévitables
il y a des mots indéchiffrables
mais la vie madame ça ne s’explique pas
Serge Reggiani (Sergio Reggiani), born in Milan on March 26, 1920, and died in Paris on February 18, 1994, was an Italian-born French singer and actor. After debuting as a singer in Italy in the 1940s, he moved to France in 1950, where he achieved great success with songs like "La vie en rose" and "Les Feuilles mortes". Reggiani was a performer of great elegance and sensitivity, capable of spanning from jazz to French chanson and operetta. He collaborated with important French composers such as Jacques Prévert and Charles Aznavour. Among his most notable albums are "Serge Reggiani chante Prévert" (1960) and "Les Feuilles mortes" (1962). Besides music, Reggiani also dedicated himself to cinema, acting in several French films.
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