Travelling in a fried-out combie
On a hippie trail, head full of zombie
I met a strange lady, she made me nervous
She took me in and gave me breakfast
And she said,
"Do you come from a land down under?
Where women glow and men plunder?
Can't you hear, can't you hear the thunder?
You better run, you better take cover."
Buying bread from a man in Brussels
He was six foot four and full of muscle
I said, "Do you speak-a my language?"
He just smiled and gave me a vegemite sandwich
And he said,
"I come from a land down under
Where beer does flow and men chunder
Can't you hear, can't you hear the thunder?
You better run, you better take cover." (Yeahhh!)
Dying in a den in Bombay
With a slack jaw, and nothin' much to say
I said to the man, "Are you trying to tempt me
Because I come from the land of plenty?"
And he said,
"Oh, you come from a land down under? (oh yeah yeah)
Where women glow and men plunder?
Can't you hear, can't you hear the thunder? (ooohh)
You better run, you better take cover."
We are..
Livin' in a land down under,
Where women glow and men plunder, (yeahhhhhhhhhh)
Can't you hear, can't you hear the thunder? (thunderrrrr!)
You better run, you better take cover.
Livin' in a land down under,
Where women glow and men plunder,
Can't you hear, can't you hear the thunder? (oooo yeahhhh!)
Then I run, and then I take cover. (yea)
We are...
Livin' in a land down under, (underrrr)
Where women glow and men plunder,
Can't you hear, can't you hear the thunder? (oooo da da laa yeahhh!)
Then I run, then I take cover.
[Fades Out]
Men at Work was an Australian rock band with ska influences, Grammy Award winners who rose to prominence in the 1980s. Formed in Melbourne in 1976, the group achieved international fame with their 1981 album "Business as Usual". The album sold over 20 million copies worldwide and spawned several international hits like "Down Under", "Who Can It Be Now?" and "Overkill". The band disbanded in 1983, but their songs continue to be listened to and appreciated worldwide. Their sound, characterized by energetic ska rhythms, catchy melodies and ironic lyrics, helped define the musical aesthetic of the 1980s.
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