Quand l'orchestre de Philadelphie
Jouait sous sa direction la Cinquième Symphonie
Les gens du monde entier
Et surtout les gens du monde
S'exclamaient, se pâmaient
Et tombaient dans les
Pom pom pom pom
Pom pom pom pom
Si le grand maestro avait du génie
Ce n'était pas le cas de la belle Eugénie
Qui, ce soir-là, faisait
Son entrée dans le monde
Et bâillait, s'ennuyait
En écoutant les
Pom pom pom pom
Pom pom pom pom
Quand le concert fut terminé
L'un à l'autre ils furent présentés
Sitôt, il en fut amoureux
Elle avait de si jolis yeux !
Ils se revirent bien souvent
Mais ce qui faisait son tourment
C'est qu'au "Crépuscule des dieux"
Elle préférait "Sur les flots bleus"
Comment pourrait-il émouvoir
Celle qui faisait son désespoir
Et qui se refusait à lui ?
L'idée lui en vint une nuit
Six mois plus tard, à Covent Garden
Après deux pages de Beethoven
On vit Eugénie qui pleurait
Tandis que l'orchestre jouait
Ce fut un scandale inouï
On en parle encore aujourd'hui
Il s'en fiche bien car désormais
Il a le cœur de celle qu'il aimait
Dans une brasserie de Saint-Quentin
A la tête de six musiciens
Il jouera chaque soir d' sa vie
Pour les jolis yeux d'Eugénie
Yves Montand, stage name of Ivo Livi (Marseille, October 13, 1921 – Paris, November 9, 1991), was an Italian-born French singer and actor. Considered one of the greatest interpreters of French chanson in the 20th century, Montand combined vocal power with a deep interpretive sensibility. His career, which began in the 1940s in France, saw him collaborate with some of the most important names in French music and cinema, including Charles Aznavour, Edith Piaf and Jean-Luc Godard. Among his most famous songs are "Les Feuilles Mortes", "La Vie en Rose" (cover of Édith Piaf) and "Le Chant des Partisans". Montand also starred in numerous films, earning international recognition for his performance in "Red Sky" (1964), directed by Jean-Luc Godard. His figure remains a point of reference for French and Italian culture.
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