[mots en russe]
A Kolyma, à Kolyma qui est un enfer blanc
Tout près du camp, un jour de brouillard
J'ai vu un mégot avec du rouge à lèvres
Et j'ai couru pour le ramasser
Quatre ans ici, sans voir une femme
Et puis enfin un coup d' chance
Ce mégot peut-être tombé d'un avion
Et que le vent sauvage m'a apporté
Je pense à toi, avec qui fais-tu l'amour ?
Avec qui partages-tu ta cigarette ?
Je sais bien que toi, tu ne prends pas l'avion
Pour voler par-dessus ma tête
Ce mégot-là, tous me l'enviaient
L'assassin comme le pédéraste
Même les droit-commun, les aristos du camp
En avaient pour moi du respect
Ce mégot-là, je l'ai perdu aux cartes
Il valait pourtant mille roubles
Mais, là aussi, la chance ne m'a pas aidé
Je pensais à ma dame de trèfle
J'ai tout perdu de ce que j'avais
Ma ration de sucre pour deux ans
Et je reste là, les mains sur les genoux
Et pour travailler, rien sur le dos
Rappelle-toi, salaud, comme tu claquais l'argent
Pour les femmes aux lèvres rouges
Fallait-il pour ça, camarade gardien,
Taper si fort de votre poing ?
Alors, ils m'ont conduit au cachot
Les pieds nus comme Jésus-Christ
Et pendant dix jours, de mes lèvres en sang
J'ai fardé de rouge mes mégots
Yves Montand, stage name of Ivo Livi (Marseille, October 13, 1921 – Paris, November 9, 1991), was an Italian-born French singer and actor. Considered one of the greatest interpreters of French chanson in the 20th century, Montand combined vocal power with a deep interpretive sensibility. His career, which began in the 1940s in France, saw him collaborate with some of the most important names in French music and cinema, including Charles Aznavour, Edith Piaf and Jean-Luc Godard. Among his most famous songs are "Les Feuilles Mortes", "La Vie en Rose" (cover of Édith Piaf) and "Le Chant des Partisans". Montand also starred in numerous films, earning international recognition for his performance in "Red Sky" (1964), directed by Jean-Luc Godard. His figure remains a point of reference for French and Italian culture.
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