[mots en russe]
A Kolyma, à Kolyma qui est un enfer blanc
Tout près du camp, un jour de brouillard
J'ai vu un mégot avec du rouge à lèvres
Et j'ai couru pour le ramasser
Quatre ans ici, sans voir une femme
Et puis enfin un coup d' chance
Ce mégot peut-être tombé d'un avion
Et que le vent sauvage m'a apporté
Je pense à toi, avec qui fais-tu l'amour ?
Avec qui partages-tu ta cigarette ?
Je sais bien que toi, tu ne prends pas l'avion
Pour voler par-dessus ma tête
Ce mégot-là, tous me l'enviaient
L'assassin comme le pédéraste
Même les droit-commun, les aristos du camp
En avaient pour moi du respect
Ce mégot-là, je l'ai perdu aux cartes
Il valait pourtant mille roubles
Mais, là aussi, la chance ne m'a pas aidé
Je pensais à ma dame de trèfle
J'ai tout perdu de ce que j'avais
Ma ration de sucre pour deux ans
Et je reste là, les mains sur les genoux
Et pour travailler, rien sur le dos
Rappelle-toi, salaud, comme tu claquais l'argent
Pour les femmes aux lèvres rouges
Fallait-il pour ça, camarade gardien,
Taper si fort de votre poing ?
Alors, ils m'ont conduit au cachot
Les pieds nus comme Jésus-Christ
Et pendant dix jours, de mes lèvres en sang
J'ai fardé de rouge mes mégots
Yves Montand, pseudonimo di Ivo Livi (Marsiglia, 13 ottobre 1921 – Parigi, 9 novembre 1991), è stato un cantante e attore italiano naturalizzato francese. Considerato uno dei più grandi interpreti della chanson francese del XX secolo, Montand ha saputo coniugare la potenza vocale con una profonda sensibilità interpretativa. La sua carriera, iniziata negli anni '40 in Francia, lo ha visto collaborare con alcuni dei nomi più importanti della musica e del cinema francese, tra cui Charles Aznavour, Edith Piaf e Jean-Luc Godard. Tra i suoi brani più celebri figurano "Les Feuilles Mortes", "La Vie en Rose" (cover di Édith Piaf) e "Le Chant des Partisans". Montand ha interpretato anche numerosi film, ottenendo riconoscimenti internazionali per la sua interpretazione in "Il cielo è rosso" (1964), diretto da Jean-Luc Godard. La sua figura rimane un punto di riferimento per la cultura francese e italiana.
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