Il perd un jardin par semaine
Mon p'tit coin là-bas près d'la Seine
Il perd chaque mois une friture
Il y gagne quoi la blessure
D'une maison de vingt étages
Où l'on mettra les hommes en cage
Avant c'était pas la même chose
Avant j'y découvrais des choses
J'y emmenais Lulu et Rose
Dans mon p'tit coin de paradis
C'était ma Corse mon midi
Mes lauriers roses en Italie
Il perd ses lilas par centaines
Mon p'tit coin là-bas près d'la Seine
Il perd ses chinois ses arabes
Et tous ses vieux toits et ses arbres
Le soir on dirait l'Amérique
Avec ses buildings fantastiques
Avant c'était pas la même chose
Avant j'y découvrais des chosesJ'y emmenais Lulu et Rose
Dans mon p'tit coin de paradis
C'était ma Corse mon midi
Mes lauriers roses en Italie
Et j'ai peur des fois quand j'y pense
Qu'un beau jour tu sois sans défense
Que tu perdes aussi l'innocence
De tes grands yeux gris que tu changes
Que tu maquilles ton visage
A tous les néons de passage
J'voudrais qu'tout reste la même chose
Qu'on s'aime qu'on s'aime avant toute chose
Même sans lilas et sans roses
Toi qui remplaces mon paradis
Et puis ma Corse mon midi
Mes lauriers roses en Italie
Jean Ferrat, born Jean Tenenbaum (1930-2010), was one of the most beloved and influential French singer-songwriters of the 20th century. Born in Lyon to a Jewish family, his music always reflected a deep social and political commitment. After starting as a jazz musician, Ferrat dedicated himself to chanson in the 1960s, finding success with songs like "La Montagne" and "Auprès de mon arbre". His warm and powerful voice, accompanied by poetic and reflective lyrics, won over the French public. Ferrat addressed themes such as war, poverty, love, and freedom, becoming a symbol of resistance and hope for many. Among his most important albums are "L'Homme à la guitare" (1965) and "Le Chant du monde" (1970). His music continues to be appreciated and listened to in France and around the world.
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