Les belles étrangères
Qui vont aux corridas
Et qui se pâment d'aise
Devant la muleta
Les belles étrangères
Sous leur chapeau huppé
Ont le teint qui s'altère
A l'heure de l'épée
Allons, laissez-moi rire
On chasse on tue on mange
On taille dans le cuir
Des chaussures, on s'arrange
Et dans les abattoirs
Où l'on traîne les b?ufs
La mort ne vaut guère mieux
Qu'aux arènes le soir
Les belles étrangères
Quand montent les clameurs
Se lèvent les premières
En se tenant le cœur
Les belles étrangères
Se jurent à jamais
De chasser Ordóñez
De leurs rêves secrets
Allons laissez-moi rire
Quand le toro s'avance
Ce n'est pas par plaisir
Que le torero danse
C'est que l'Espagne a trop
D'enfants pour les nourrir
Qu'il faut parfois choisir
La faim ou le toro
Les belles étrangères
Végétariennes ou pas
Quittent leur banc de pierre
Au milieu du combat
Quittent leur banc de pierre
Au milieu du combat
Jean Ferrat, born Jean Tenenbaum (1930-2010), was one of the most beloved and influential French singer-songwriters of the 20th century. Born in Lyon to a Jewish family, his music always reflected a deep social and political commitment. After starting as a jazz musician, Ferrat dedicated himself to chanson in the 1960s, finding success with songs like "La Montagne" and "Auprès de mon arbre". His warm and powerful voice, accompanied by poetic and reflective lyrics, won over the French public. Ferrat addressed themes such as war, poverty, love, and freedom, becoming a symbol of resistance and hope for many. Among his most important albums are "L'Homme à la guitare" (1965) and "Le Chant du monde" (1970). His music continues to be appreciated and listened to in France and around the world.
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