La très chère était nue, et, connaissant mon coeur,
Elle n'avait gardé que ses bijoux sonores,
Dont le riche attirail lui donnait l'air vainqueur
Qu'ont dans leurs jours heureux les esclaves des Mores.
Quand il jette en dansant son bruit vif et moqueur,
Ce monde rayonnant de métal et de pierre
Me ravit en extase, et j'aime à la fureur
Les choses où le son se mêle à la lumière.
Elle était donc couchée et se laissait aimer,
Et du haut du divan elle souriait d'aise
À mon amour profond et doux comme la mer,
Qui vers elle montait comme vers sa falaise.
Les yeux fixés sur moi, comme un tigre dompté,
D'un air vague et rêveur elle essayait des poses,
Et la candeur unie à la lubricité
Donnait un charme neuf à ses métamorphoses;
Et son bras et sa jambe, et sa cuisse et ses reins,
Polis comme de l'huile, onduleux comme un cygne,
Passaient devant mes yeux clairvoyants et sereins;
Et son ventre et ses seins, ces grappes de ma vigne,
S'avançaient, plus câlins que les Anges du mal,
Pour troubler le repos où mon âme était mise,
Et pour la déranger du rocher de cristal
Où, calme et solitaire, elle s'était assise.
Je croyais voir unis par un nouveau dessin
Les hanches de l'Antiope au buste d'un imberbe,
Tant sa taille faisait ressortir son bassin.
Sur ce teint fauve et brun, le fard était superbe!
— Et la lampe s'étant résignée à mourir,
Comme le foyer seul illuminait la chambre
Chaque fois qu'il poussait un flamboyant soupir,
Il inondait de sang cette peau couleur d'ambre!
— Charles Baudelaire
Yves Montand, stage name of Ivo Livi (Marseille, October 13, 1921 – Paris, November 9, 1991), was an Italian-born French singer and actor. Considered one of the greatest interpreters of French chanson in the 20th century, Montand combined vocal power with a deep interpretive sensibility. His career, which began in the 1940s in France, saw him collaborate with some of the most important names in French music and cinema, including Charles Aznavour, Edith Piaf and Jean-Luc Godard. Among his most famous songs are "Les Feuilles Mortes", "La Vie en Rose" (cover of Édith Piaf) and "Le Chant des Partisans". Montand also starred in numerous films, earning international recognition for his performance in "Red Sky" (1964), directed by Jean-Luc Godard. His figure remains a point of reference for French and Italian culture.
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