Marlene Dietrich

Lyrics Lily marlene Marlene Dietrich

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Lily marlene


Devant la caserne
Quand le jour s'enfuit
La vieille lanterne
Soudain s'allume et luit.
C'est dans ce coin la que le soir
On s'attendait remplis d'espoir
Tous deux Lily Marlene
Tous deux Lily Marlene.

Et dans la nuit sombre
Nos corps enlaces
Ne faisaient qu'une ombre
Lorsque je t'embrassais
Nous echangions ingenument
Joue contre joue bien des serments
Tous deux
Lily Marlene.
Tous deux
Lily Marlene.

Le temps passe vite
Lorsque l'on est deux
Helas! on se quitte
Voici le couvre-feu
Te souviens-tu de nos
Regrets
Lorsqu'il fallait nous separer?
Dis moi
Lily Marlene?
Dis moi
Lily Marlene?

La vieille lanterne
S'allume toujours
Devant la caserne
Lorsque finit le jour.
Mais toutme parait etranger
Aurais-je donc beaucoup change?
Dis-moi
Lily Marlene
Dis-moi
Lily Marlene.

Cette tendre histoire
De nos chers vingt ans
Chante
En ma memoire
Malgre les jours
Les ans
Il me semble entendre ton pas
Et je te serre entre mes bras
Lily ... Lily Marlene.
Lily ... Lily Marlene.

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Biografia

Marlene Dietrich (Berlin, December 27, 1901 – Paris, May 6, 1992) was a celebrated German-American actress and singer. Considered an icon of Hollywood cinema in the 1930s and 1940s, her career spanned over half a century, encompassing theater, cabaret, and music. Dietrich began as a stage actress in Berlin before moving to the United States in 1930. Her international success came with the film *The Blue Angel* (1930), which earned her a contract with Paramount Pictures. Her magnetic beauty, sensual voice, and charismatic personality made her a global star. During World War II, Dietrich openly sided against Nazism, refusing to return to Germany and dedicating herself to anti-Nazi propaganda for the United States. This commitment cost her the hostility of the German regime, which declared her persona non grata. After the war, she continued to act and sing until the 1980s, becoming a symbol of freedom and resistance. Among her most famous films are *Shanghai Express* (1932), *Blonde Venus* (1932), and *Destry Rides Again* (1939). Dietrich was a controversial and complex figure, but her talent and personality left an indelible mark on the history of cinema and music.

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