Pre
***intro:
Em d/f# g c
Em d c g
*** verse: 1
Em d/f# g c
Weve known her ever since she was a kid
Em d c g
She was the kind of girl who repeats her mistakes
Em d/f# g c
Her parents never minded what she did
Em d c g
She was a fallen angel with dirt on her face
Am g/b c d
But past a certain point she stayed behind
Am g/b c d
The two of us could never read her mind
Am g/b c d
The million ways she had of killing time
*** chorus:
Em d c
So we just gave up
Em d c
Yeah we just gave up
Em d
cause sometimes, you know
C g
Theres limits to love
C g c g
*** verse 2:
Wed get impatient with her now and then em d/f# g c
Oh, shed smile and say, `now youre not being nice. em d c g
I guess her definition of a friend em d/f# g c
Was someone long on love, and short on advice em d c g
We gave her money but the moneys bad am g/b c d
She took the dollars and just tore them in half am g/b c d
We got so angry, we just had to laugh am g/b c d
*** chorus:
But we still gave up em d c
Yeah we still gave up em d c
cause sometimes, you know em d
Theres limits to love c g | c g | c g
*** instrumental:
** verse 3:
Shell get in trouble but she will scrape through em d/f# g c
Oh, shes the kind of girl who can always find help em d c g
Id say shes stupid, but itd be untrue em d/f# g c
Oh, youve got to be smart if youre fooling yourself em d c g
We tried to love her, but our love unwound am g/b c d
(so our love was weak)
We talked about her when she wasnt around am g/b c d
(so our talk was cheap)
And still we felt that we were letting her down am g/b c d
*** chorus:
cause we just gave up em d c
Yeah we just gave up em d c
cause sometimes, you know em d
Theres limits to love c g
Sometimes you know em d
Theres limits to love c g
||: em d c g | c g c g :||
(fade)
/pre
Aimee Mann is an American singer-songwriter known for her indie pop style characterized by introspective lyrics and enveloping melodies. She began her career in the 1980s as the lead vocalist of the band 'Til Tuesday, achieving moderate success with singles like "Voices Carry". After the band's disbandment, Mann embarked on a successful solo career, releasing critically acclaimed albums such as "Bachelor No. 2" (1993) and "Magnolia" (1999), the latter being the soundtrack to Paul Thomas Anderson's film of the same name. In 2003, Mann founded her own record label, SuperEgo Records, to have greater control over her music. Her subsequent albums, such as "The Forgotten Arm" (2005) and "@#% and *!" (2017), have solidified her status as a successful independent artist. Some of Aimee Mann's most representative songs include "Save Me", "Wise Up", and "Deathly".
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