Last spring, I spent a week in a convent in the Midwest. I'd been invited there to do a series of seminars on language. They'd gotten my name from a list in Washington, from a brochure that described my work as “deals with the spiritual issues of our time�, undoubtedly a blurb I had written myself.
Because of this, and also because men were not allowed to enter the convert, they asked me to come out. The night I arrived, they had a party for me in a nearby town, in a downstairs lounge of a crystal lane's bowling alley.
The alley was reserved for the nuns, for their Tuesday night tournaments; it was a pizza party. And the lounge was decorated to look like a cave: every surface was covered with that spray-on rock that's usually used for soundproofing. In this case, it had the opposite effect: it amplified every sound.
Now the nuns were in the middle of their annual tournament playoffs. And we could hear all the bowling balls rolling very slowly down the aisles above us, making the rock club stalactites tremble and resonate.
Finally the pizza arrived, and the mother superior began to bless the food. Now this woman normally had a gruffed low-pitched speaking voice but as soon as she began to pray he voice rose, became pure, bell-like, like a child's. The prayer went on and on increasing in volume each time a sister got a strike, rising in pitch “Dear Father in Heaven�.
The next day I was scheduled to begin this seminar on language. I'd been very struck by this prayer and I wanted to talk about how women's voices rise in pitch when they're asking for things, especially from men. But it was odd. Every time I set a time for the seminar, there was some reason to postpone it: the potatoes had to be dug out, or a busload of old people would appear out of nowhere and have to be shown around.
So I never actually did the seminar. But I spent a lot of time there, walking around the grounds and looking at all the crops, which were all labeled. And there was also a neatly laid-out cemetery, hundreds of identical white crosses in rows, and there were labeled “Maria�, “Teresa�, “Maria Teresa�, “Teresa Maria�, and the only sadder cemetery I saw was last summer in Switzerland. And I was dragged there by a Hermann Hesse fanatic, who had never recovered from reading ###130414, and one hot August morning when the sky was quiet, we made a pilgrimage to the cemetery; we brought a lot of flowers and we finally found his grave. It was marked with a huge fur tree and a mammoth stone that said “Hesse� in huge Helvetica bold letters. It looked more like a marquee than a tombstone. And around the corner was this tiny stone for his wife, Nina, and on it was one word: “Auslander� — foreigner. And this made me so sad and so mad that I was sorry I'd brought the flowers. Anyway, I de! cided to leave the flowers, along with a mean note, and it read:
Even though you're not my favorite writer, by long shots, I leave these flowers on your resting spot.
Laurie Anderson (born Laura Phillips Anderson) is an American multidisciplinary artist known for her experimental music, innovative theatrical performances, and use of electronic technology. Born in New York City in 1947, she began her career in the 1970s as an avant-garde musician, blending elements of classical, jazz, and electronic music with poetic lyrics and surreal narratives. Her iconic performance "O Superman" (1981) brought her international fame, topping music charts and foreshadowing the use of synthesizers and sampling in pop music. Anderson has been a pioneer in integrating technology and art, utilizing computers, video, and electronic instruments to create immersive multimedia spectacles. Among her most notable albums are "Big Science" (1982), "Home of the Brave" (1986), and "Bright Red" (2005). Besides music, Anderson has also worked in film, television, and theater, receiving numerous awards for her artistic creations. Some of her most representative songs include "O Superman", "Walking on the Moon", "Sharkey's Day", and "The Ugly One".
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
Hip-hop, one of the most influential cultural movements of the 20th and 21st centuries, has recently reached a significant milestone - it's turning 50 years old.
Coachella Festival 2022: here we are. In two days the doors of one of the most anticipated musical events of the year will open, even more so after the last two years in which for very obvious reasons the live music sector has suffered a very important setback.
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Here is finally some good news, the Arcade Fire have finally revealed the title and release date of their new album, 5 years after the last one. For the fan of the group it has been a time that seemed eternal,
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!