My voice has been boxed on a shelf by the door
And my hands may be cold but my wry smile's still warm
And she can't believe that I'm not gonna fight
Guess I'm too just busy doing battle from the inside
And I feel you, well I'll see you round
You fucked your way in, you can fuck your way out
A terminal inversion seems to apply
Seems if we're wanting to be powerful we've gotta learn to play the guy
And she beats her chest and proclaims that life's unfair
But she's to pissed to be angry and I'm much too cool to care
And I feel you, well I'll see you round
And you fucked your way in, you can fuck your way out
Just because I bleed seems to make me family
And I don't wanna be your militia sister
My popular opinion has just vanished without a trace
Seems if I'm not living on the edge then I'm taking up too much space
And you can point your fingers and call me a bitch
Guess it's good to be alternative
Guess I kind of enjoy it
And I feel you, well I'll see you round
And you fucked your way in, you can fuck your way out
And, no baby, you're not even warm
Thea Eve Gilmore, known simply as Thea Gilmore, is a British singer-songwriter and musician born in London in 1968. Considered one of the most influential figures in contemporary British folk-rock music, Gilmore stands out for her poetic songwriting, captivating melodies, and powerful and versatile voice. Her musical career began in the 1990s with the release of several independent albums that enjoyed moderate success among fans of the genre. In 2001 she signed with the independent label Cooking Vinyl, releasing albums such as "Thea Gilmore" (2001) and "Strange Angels" (2003), which brought her greater national visibility. Among her most representative songs are "The Ballad of the Broken Heart", "A Thousand Years", and "The Seagull's Song". Gilmore is also known for her collaborations with artists such as John Martyn, Richard Thompson, and Billy Bragg. Her music is characterized by a strong sense of introspection, poetic sensibility, and a deep attention to social issues.
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