Nada lavaba, dijo la verdad
La enjuagaba nada má¡s
Sólo una blusa lisa se salvó
Y ahora debe ponerse un pantalón
¡Qué papelón! Todos en la fiesta la miraban
y ella nunca lució aquello que todos esperaban
Cuando la abuela de Beleda entró, vió
envuelto en un camisón
todo lo que Beleda destiá±o
y entonces la alcahueta la acusó
¡Qué papelón! Todos en la fiesta se reáan
y ella misma agarró y se fue a la tintoreráa
¡Que abuela amarga! Veleta y sin corazón
Se fue Beleda y la abuela se arrepintió
Se fue Beleda, quedó la abuela, se fue. Adiós.
Juana Rosario Molina, nota semplicemente come Juana Molina, è una cantautrice, musicista e attrice argentina nata a Buenos Aires nel 1968. Inizia la sua carriera artistica negli anni '80 come attrice teatrale e televisiva, collaborando con registi di spicco come Héctor Olivera e Daniel Burman. Nel 1996 pubblica il suo primo album, "¡Qué Cosa!”, un lavoro sperimentale che mescola elementi di folk argentino, elettronica e musica minimalista. Successivamente, si dedica principalmente alla musica, pubblicando album apprezzati dalla critica come "Tres Cosas" (2003), "Son” (2006) e "Un Día“ (2014). La sua musica è caratterizzata da melodie avvolgenti, testi poetici e un uso innovativo di strumenti elettronici. Molina ha collaborato con artisti come Gustavo Cerati e Pedro Aznar, e i suoi concerti sono noti per la loro energia coinvolgente e l'atmosfera intima. Alcuni dei brani più rappresentativi del suo repertorio includono "Qué Cosa!”, "Te Quiero”, “Un Día” e “La Canción de las Mariposas”.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
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