On peut donner des leçons de morale
Quand on possède bonne soupe et bon feu,
Mais quand on ne possède que peau de balle,
On prend son plaisir où l'on peut.
Dans le quartier, on me blague.
Je suis un pilier de bistrot.
C'est vrai qu'avec les pochards, je divague
Chaque fois que j'ai le cœur trop gros.
D'autres cherchent des trucs compliqués,
Mais comme j'ai horreur du chiqué,
Moi, c'est au bord du comptoir
Que je prends tous les soirs
Mon apéro...
J'discute avec le patron.
Je l'appelle par son petit nom.
Ben c'est un bon gros.
Comme les mâles je lui dis :
"Arthur, vas-y !"
Et je te lui joue la tournée au zanzi.
Le phono joue une java.
L'ennui doucement s'en va.
Tout me semble beau
Et je noie mon ennui profond,
Pour une heure, tout au fond
D'un apéro...
Sur mes seize ans, comme j'étais belle gosse.
Tous les gars m'faisaient du boniment.
Alors, je me suis mise à faire la noce.
C'est venu, je ne sais pas comment.
Y' m'payaient tout sans rien dire.
J'avais voiture et hôtel
Mais il fallait toujours sourire,
Le cœur barbouillé de fiel
Et je rêvais d'un petit mécano
Qui ne m'offrirait que des bécots.
Alors, pour chasser le noir,
Je buvais dans tous les bars
Des apéros...
Grimpée sur un tabouret,
Trempé dans mon gobelet,
Un chalumeau
Et devant l'air fatigué des danseurs,
Je me sentais prise par le chazes du chausseur.
Plus que moi riche d'amour
Il embrassait chaque jour
Une dactylo
Et je n'avais pour consoler
Mon cœur si désolé
Que les apéros...
Mais les cocktails me tournaient la tête,
Alors j'ai bientôt plaqué l'métier.
Me revoilà, bon Dieu que la vie est bête,
Revenue dans mon vieux quartier.
La revoilà, ma petite église,
Et chez moi rien n'a changé... rien !
Rien, sinon mon cœur, cette prison grise,
A qui tout reste étranger.
Hélas, le bonheur n'a qu'un temps.
Voyant que l'amour foutait le camp,
Je suis revenue au comptoir
Où l'on me payait le soir
Des apéros...
Je ne crois plus à rien du tout.
Patron, encore un coup,
Et du costaud !
C'est embêtant, oui, quand je revois les cieux,
Et dans mon rêve, je pêche des rêves bleus
Affalée par le coups durs.
J'ai pas mis la main sur le bon numéro
Le numéro...
Et mon cœur vide d'amour
N'a plus son vrai secours :
Les apéros...
Édith Piaf, born Édith Giovanna Gassion (Paris, December 19, 1915 – Grasse, October 11, 1963), was a French singer of international fame. Known as "La Môme Piaf" or "The Little Sparrow", she dominated the French music scene between the 1930s and 1960s. Born in a poor district of Paris, her childhood was marked by poverty and the loss of her father. She began singing on the streets at the age of seven, earning the nickname "Little Sparrow" (piaf in French). Her powerful and versatile voice, capable of transitioning from harsh tones to sweet melodies, made her one of France's most beloved artists. Piaf became a symbol of resistance and rebellion against social injustices, anticipating the intellectual movement of the rive gauche with songs that reflected the anguish and despair of the time. Among her most famous songs are "La Vie en Rose", "Non, Rien de Rien", "Hymne à l'Amour" and "Milord". Her life was marked by personal tragedies, including car accidents, illnesses, and a suicide attempt. Despite the difficulties, Piaf continued to sing until the end, leaving an unforgettable musical legacy.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
Hip-hop, one of the most influential cultural movements of the 20th and 21st centuries, has recently reached a significant milestone - it's turning 50 years old.
Coachella Festival 2022: here we are. In two days the doors of one of the most anticipated musical events of the year will open, even more so after the last two years in which for very obvious reasons the live music sector has suffered a very important setback.
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Here is finally some good news, the Arcade Fire have finally revealed the title and release date of their new album, 5 years after the last one. For the fan of the group it has been a time that seemed eternal,
Do we want to define "I know you know me" a masterpiece? Yes, without a shadow of a doubt for at least two reasons. The first and most evident are the artists who interpret it: Caroline Spence and Matt Berninger, second for the deep and poetic text.
My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
Lim
Iam
Landy
Georges Brassens
Hayce Lemsi
Zesau
Panik-J
Mutiilation
Patrick Abrial
Georgio
Albin De La Simone
Gold