I'm sitting here like statistics
Amid teenage pregnancies and misfits
Plotting my uncertain chart
And the constant of our frequency
The graph that follows your feelings for me
Looks like a work of abstract art
And in the law of love that you broke
You employed me
As your attorney
And you are still learning
And I'm still faithfully returning
To the crime scene
And I'm having trouble with the jargon
Having trouble getting out of this tune
And my headlights are bruised and broken but I'm
Still night-driving with you
And I'm into all this feeling sorry stuff
After love's been gained and love's been lost
These bruises are the landmark of the end
And you were never a good lover
You were never a great enemy
And you couldn't even manage a good friend
Now I'm having trouble with the jargon
Having trouble getting out of this tune
And my headlights are bruised and broken
Still night-driving with you
I'm Still night-driving with you
You said it's all about symmetry
And the half reflection of you and me
Can't piece together what's gone
Watching my colours bleed and stain your hands
With no regrets and no demands
I expected a better Armageddon.
I'm having trouble with the jargon
Having trouble getting out of this tune
And my headlights are bruised and broken but I'm
Still night-driving with you
I'm having trouble with the jargon
Having trouble getting out of this tune
And my headlights are bruised and broken
Still night-driving with you
I'm Still night-driving with you
Still night-driving with you
Thea Eve Gilmore, known simply as Thea Gilmore, is a British singer-songwriter and musician born in London in 1968. Considered one of the most influential figures in contemporary British folk-rock music, Gilmore stands out for her poetic songwriting, captivating melodies, and powerful and versatile voice. Her musical career began in the 1990s with the release of several independent albums that enjoyed moderate success among fans of the genre. In 2001 she signed with the independent label Cooking Vinyl, releasing albums such as "Thea Gilmore" (2001) and "Strange Angels" (2003), which brought her greater national visibility. Among her most representative songs are "The Ballad of the Broken Heart", "A Thousand Years", and "The Seagull's Song". Gilmore is also known for her collaborations with artists such as John Martyn, Richard Thompson, and Billy Bragg. Her music is characterized by a strong sense of introspection, poetic sensibility, and a deep attention to social issues.
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