Steel Pulse

Not king james version lyrics Steel Pulse

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Not king james version


David Hinds
CHORUS
A dis ya version
A no King James version
‘Cause out of Africa
Came the Garden of Eden
Hidden from me I was never told
Ancient prophets black and gold
Like Daniel, King David and Abraham
Israel were all black men
I don't wanna lose you
Japhet tried his best to erase
The godly parts we played
I says he came and took
And never mention in his book... so
CHORUS
A dis ya version
A no King James version
‘Cause out of Africa
Came the Garden of Eden
In Esau's chapter of history
So little mention of you and me
We rulers of kingdoms and dynasties
Explored this Earth for centuries
I don't wanna lose ya
Phoenicians, Egyptians and the Moors
Built civilisation, that's for sure
Creators of the alphabet
While the West illiterate..yeh
CHORUS
A dis ya version
A no King James version
‘Cause out of Africa
Came the Garden of Eden
African heritage
I don't wanna lose ya
Oh, no
Slavery came and took its toll
In the name of John Bull Dog
Said we turned our backs on God
Lost the powers that we had
Now our backs against the wall
Ask ourselves about the fall
Rise rise rise
Hold on to your culture
CHORUS
A dis ya version
A no King James version
‘Cause out of Africa
Came the Garden of Eden
I don't wanna lose ya
I don't wanna lose ya
Never let the fool you

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Biografia

Steel Pulse è una delle più grandi band di reggae britanniche, in termini di successo creativo e commerciale. Originari di Handsworth, Birmingham, gli Steel Pulse hanno iniziato a suonare negli anni '70, contaminando le radici autentiche del reggae con influenze jazz e latine. Questo approccio originale ha conquistato un pubblico internazionale, portandoli a pubblicare il loro album di debutto, "Handsworth Revolution", nel 1978. Considerato da molti critici come uno dei punti di riferimento del reggae inglese, l'album ha segnato l'inizio di una carriera ricca di successi. Prima della fine degli anni '80, gli Steel Pulse hanno vinto un Grammy Award, consolidando il loro ruolo di esponenti di spicco del crossover reggae. Negli anni successivi, la band è tornata a esplorare le sonorità roots, integrando elementi dancehall e hip-hop. Tra i brani più rappresentativi si ricordano "Ku Klux Klan", "Sound System", "Steppin' Out" e "Jah Jah City".

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