She was married to somebody else
I was lonely and lived by myself
Baby, that's a battle you can't win
So we met and we started the clock
Did that help -- no it did not
But I guess I knew that going in
And watched the sweeping second hand
But at least I was calm
On the road to the big observatory
Where the planets were hung
And the stars swung around the second story
And we stumbled upon
A room where a luminous moon was waning
And I knew I had leapt into the great beyond
But at least I was calm
Fun is fun, but when push comes to shove
When it's done, we deny it was love
She'll say Jim -- I think it's a mistake
And the room where we looked at the sky
Will be there with its telescope eye
Just another sentry kept awake
Watching over silverlake
But at least I was calm
On the road to the big observatory
Where the planets were hung
And the stars swung around the second story
And we stumbled upon
A room where a luminous moon was waning
And I knew I had leapt into the great beyond
But at least I was calm
And you'll be glad to leave with dignity intact
She won't be sad so much as matter-of-fact
Like it was as doomed and hopeless as a suicide pact
But at least I was calm
On the road to the big observatory
Where the planets were hung
And the stars swung around the second story
And we stumbled upon
A room where a luminous moon was waning
And I knew I had leapt into the great beyond
But at least I was calm
Yeah, at least I managed to stay calm
Aimee Mann è una cantautrice e musicista americana, nota per il suo stile musicale indie pop caratterizzato da testi introspettivi e melodie avvolgenti. Iniziò la sua carriera negli anni '80 come cantante del gruppo 'Til Tuesday, raggiungendo un discreto successo con singoli come "Voices Carry". Dopo lo scioglimento del gruppo, Mann intraprese una carriera solista, pubblicando album di grande apprezzamento critico come "Bachelor No. 2" (1993) e "Magnolia" (1999), quest'ultimo colonna sonora del film omonimo di Paul Thomas Anderson. Nel 2003, Mann fondò la sua etichetta discografica, SuperEgo Records, per avere maggiore controllo sulla propria musica. I suoi album successivi, come "The Forgotten Arm" (2005) e "@#% and *!" (2017), hanno consolidato il suo status di artista indipendente di successo. Tra i brani più rappresentativi di Aimee Mann si ricordano "Save Me", "Wise Up", e "Deathly".
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