She was married to somebody else
I was lonely and lived by myself
Baby, that's a battle you can't win
So we met and we started the clock
Did that help -- no it did not
But I guess I knew that going in
And watched the sweeping second hand
But at least I was calm
On the road to the big observatory
Where the planets were hung
And the stars swung around the second story
And we stumbled upon
A room where a luminous moon was waning
And I knew I had leapt into the great beyond
But at least I was calm
Fun is fun, but when push comes to shove
When it's done, we deny it was love
She'll say Jim -- I think it's a mistake
And the room where we looked at the sky
Will be there with its telescope eye
Just another sentry kept awake
Watching over silverlake
But at least I was calm
On the road to the big observatory
Where the planets were hung
And the stars swung around the second story
And we stumbled upon
A room where a luminous moon was waning
And I knew I had leapt into the great beyond
But at least I was calm
And you'll be glad to leave with dignity intact
She won't be sad so much as matter-of-fact
Like it was as doomed and hopeless as a suicide pact
But at least I was calm
On the road to the big observatory
Where the planets were hung
And the stars swung around the second story
And we stumbled upon
A room where a luminous moon was waning
And I knew I had leapt into the great beyond
But at least I was calm
Yeah, at least I managed to stay calm
Aimee Mann is an American singer-songwriter known for her indie pop style characterized by introspective lyrics and enveloping melodies. She began her career in the 1980s as the lead vocalist of the band 'Til Tuesday, achieving moderate success with singles like "Voices Carry". After the band's disbandment, Mann embarked on a successful solo career, releasing critically acclaimed albums such as "Bachelor No. 2" (1993) and "Magnolia" (1999), the latter being the soundtrack to Paul Thomas Anderson's film of the same name. In 2003, Mann founded her own record label, SuperEgo Records, to have greater control over her music. Her subsequent albums, such as "The Forgotten Arm" (2005) and "@#% and *!" (2017), have solidified her status as a successful independent artist. Some of Aimee Mann's most representative songs include "Save Me", "Wise Up", and "Deathly".
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