Play something that we need to hear
Play to make the ghosts appear
Play until the bottles gone
Play, play because your heartàs at stake
Play enough to liberate
Play until the bottles gone.
Well did you hear them quote the Bible
See them hands on hearts
Not a soul between ?em
But don't they look the part
I don't need triggers
Don't need swords
There's a tool of revolution there in every single chord
C?mon and play something that we need to hear
Play to make the ghosts appear
Play until the bottles gone
Play until the bottles gone
I've got an old Neil Young record and a bottle of red
I know he'll still be saying just what needs to be said
But all you others what is there to loose
Just pick up your plywood and learn to sing the blues
And play, play the life out of that steel
Play to halt the winding wheel
Play until the bottle's gone
Play it in the streets, play it in the schools
Play it for the ones out there who've never seen what playing can do
Play until the bottles gone
Well the clock's tick-tocking until the fun begins
And no amount of love songs tell the mess we're in
And I'd like answers but a question'd do
Or old tides turning, the sound of something new
So play something that we need to hear
Play to make the ghosts appear
Play until the bottles gone
Play, play because your heartàs at stake
Play enough to liberate
Play until the bottles gone.
Play, play it just to make your mark
Play it just to light the spark
Play until the bottle's gone
Play until the bottle's gone
Play until the bottle's gone
Thea Eve Gilmore, known simply as Thea Gilmore, is a British singer-songwriter and musician born in London in 1968. Considered one of the most influential figures in contemporary British folk-rock music, Gilmore stands out for her poetic songwriting, captivating melodies, and powerful and versatile voice. Her musical career began in the 1990s with the release of several independent albums that enjoyed moderate success among fans of the genre. In 2001 she signed with the independent label Cooking Vinyl, releasing albums such as "Thea Gilmore" (2001) and "Strange Angels" (2003), which brought her greater national visibility. Among her most representative songs are "The Ballad of the Broken Heart", "A Thousand Years", and "The Seagull's Song". Gilmore is also known for her collaborations with artists such as John Martyn, Richard Thompson, and Billy Bragg. Her music is characterized by a strong sense of introspection, poetic sensibility, and a deep attention to social issues.
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