Ouh, ah, ah, ah, ah, hey
Prr
Esa tía 'e la má' chula, no tiene un piquete
Lo que ella tiene es un buen piquetón
Y no hay tiguerón pa' esa nena salvaje
Que se le compare con ese culón
Encima rebota, me bota en mi blunt
Ma', lo que quiero es que mueva el chapón
Que baje de espaldas, reboten tus nalgas
Me trepes de ?ncima con ese culón
Flow criminal, esa tía par?ce de película
Al party va resuelta con la Kritical
Cri-Cri-Criminal
Ese c*lo es pa' darle matrícula
Muerdo y le tatúo la mandíbula
Cri-Cri-Criminal (Criminal) Criminal
Súbele la nota al contrabajo pa' esa pretty gyal
Cri-Cri-Criminal (Criminal) Criminal
Lo mueve hasta abajo y ya la cosa se va crítica
Hey, y entonces se me sube encima ese piquete
Pon, pónmela hasta arriba que va a mil como Bettel
El pom-pom, hasta abajo vamo' a reventar el cassette
Hey, si no hay perreo no se mete
Quiere, quiere, quiere duro, la llevo pa' lo oscuro
Está caliente y al dente la desayuno
Esa lady es como Flash, a gas va duro
Da vueltas de campanas como un cinturón de Judo
Por eso, ma', creo que voy a enfermar
Es que no sé lo que me da cuando te veo pasar
Se me nubla la vista y me cuesta hasta respirar
Cuando te veo en la pista, pai', me tienen que sacar
Como se luce
Cuando te veo en la pista, pai' me tienes que sacar
Como se luce
Me vine pa' Argentina, el Biza me mandó a llamar
Flow criminal, esa tía parece de película (hey)
Al party va resuelta con la Kritical
Cri-Cri-Criminal
Ese c*lo es pa' darle matrícula
Muerdo y le tatúo la mandíbula
Cri-Cri-Criminal (Criminal) Criminal
Súbele la nota al contrabajo pa' esa pretty gyal
Cri-Cri-Criminal (Criminal) Criminal
Lo mueve hasta abajo y ya la cosa se va crítica
Hey, empata
Hoy quiero a todas las gatas
Subiéndole la nota como Africa Bambata
Pa-pa-pata, hoy quiero a to'as las gatas
Meneando la colita pa' vean de qué se trata
Dale, dale, dale zoom , que estás rebuena
Le vine a dejar marca como un tatuaje de henna
Esa nena pide "mmm", ella es mi cena
Y yo le vo'a dar pum-pum-pum-pum, pa' fuera
Con la sale llena humo, bebé
Con batín como es
Sube la nota arriba de un patín Duracell
Y tú, dama, estás tan dura que yo pierdo la cordura
Y si viene' con tu amiga pues le damo' a la' tre'
(Como se luce)
Tre', tre', tre', tre', tre', tre', tre', tre', tre', tre', tre', tre'
Le damo' a la' tre'
(Como se luce)
Tre', tre', tre', tre', tre', tre', tre', tre', tre', tre', tre', tre'
Que le damo' a la'—
Flow criminal, esa tía parece de película
Al party va resuelta con la Kritical
Cri-Cri-Criminal
Ese c*lo es pa' darle matrícula
Muerdo y le tatúo la mandíbula
Cri-Cri-Criminal (Criminal) Criminal
Súbele la nota al contrabajo pa' esa pretty gyal
Cri-Cri-Criminal (Criminal) Criminal
Lo mueve hasta abajo y ya la cosa se va crítica
(Como se luce)
Con Ptazeta en la casa loca
Oye, Bi-Biza (Como se luce)
De Canarias a Argentina, che
Bizarrap
Bizarrap, real name Gonzalo Julián Conde, is an Argentine record producer and DJ born in Buenos Aires in 1998. Known for his "Music Sessions", a series of mixtapes that have revolutionized the Latin American music scene, Bizarrap collaborates with internationally renowned rap and trap artists, creating innovative and captivating productions. His characteristic style is based on fast-paced rhythms, original samples, and a dark and energetic atmosphere. Among his most famous collaborations are those with Residente, Nicki Nicole, Quevedo and Rauw Alejandro. Bizarrap has achieved global popularity, becoming one of the most influential music producers of the moment. His "Music Sessions" have surpassed billions of streams on platforms like Spotify and YouTube, consolidating his international success. Some of his most representative productions include: *Music Sessions #39* with Residente, *Music Sessions #52* with Quevedo, *Music Sessions #47* with Nicki Nicole.
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