On vivait de presque rien
Trois mômes sur le tapin
Mon bar : Le petit joint
En Suisse un peu de bien
Tranquille
En cas de conjoncture
On f'sait de faux billets
Nos femmes et nos voitures
Etaient bien maquillées :
Le style
Et puis un p'tit hold-up
Une banque dans une ZUP
Sans vouloir faire des maths
Cinq cent petites patates anciennes
Ma bagnole tombe en panne
Je prends vingt ans d'cabane
Moins deux pour bonne conduite
Ca fait quand même dix-huit
A Fresnes
Raymond, joue-moi du jazz
C'est bon entre deux phrases
Vas-y
Jazzy
Le petit joint
J'ai failli pas trouver
Dis, maintenant
Ca s'appelle «white and blue»
Incompréhensible
Et toi, la môme en jean
Sers-moi un autre Gin !
Merci, Josy
Vous auriez connu Raymond !
Monsieur Raymond, élégant
Des bagues à tous les doigts
Des vraies, des fausses.
Il jouait pas, il rayait le piano
Dis, un séducteur, des cheveux... ailes de corbeau
Plaqués sur les tempes
Un jour, c'est sa femme qui l'a plaqué
Maintenant, il veut plus parler, mais
Entendez-le jouer...
Enfin, je sors intact
Et j'arrive comme une fleur
Au restau de Mado
Pour rel'ver mes compteurs
Tu vois.
Je contacte avec tact
Une belle femme, haut de gamme
Mais avant que j'fasse gaffe
Elle me retourne une baffe
A moi !
Mado, c'est un MacDo
Les frangines sont speakerines
Putain, j'ai plus la main
Je reconnais plus rien
J'me mine
J'fais des visites, j'hésite
On me conseille Marseille
Mais y a des aléas
J'aimerais mieux aller à
L'usine
(Je plaisante)
Raymond joue-moi du jazz
C'est bon entre deux phrases
Vas-y
Jazzy
(La banque dans la ZUP,
c'est devenu un musée d'art moderne
Un scandale ! )
Et toi la môme en jean
Sers-moi encore un gin !
Mais si, merci
Maintenant il répond plus mais...
Quand il avait des bagues à tous les doigts
Il avait des blagues à tous les mots.
Des blagues et sa femme lui disait :
«Tu m'achètes jamais rien !». Il répondait :
«Et qu'est-ce que tu as à vendre ? Hein ?»
Raymond ? Il répond plus
Il est comme le passé. Il est cassé.
Je m'en fous.
Paris : je mets une croix.
Marseille : idem
Je vais essayer Ajaccio.
La Corse, j'ai ouï-dire que c'était tranquille.
Tranquille, tranquille, la Corse.
Serge Reggiani (Sergio Reggiani), born in Milan on March 26, 1920, and died in Paris on February 18, 1994, was an Italian-born French singer and actor. After debuting as a singer in Italy in the 1940s, he moved to France in 1950, where he achieved great success with songs like "La vie en rose" and "Les Feuilles mortes". Reggiani was a performer of great elegance and sensitivity, capable of spanning from jazz to French chanson and operetta. He collaborated with important French composers such as Jacques Prévert and Charles Aznavour. Among his most notable albums are "Serge Reggiani chante Prévert" (1960) and "Les Feuilles mortes" (1962). Besides music, Reggiani also dedicated himself to cinema, acting in several French films.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!
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