No use of talkin' no use of talkin'
You'll start in dog-walkin' no matter where.
There's jazz-copation blues modulation,
Just like a Haitian you'll rip and tear.
Most everybody likes the blues
Here's why I'm ravin', here's why I'm ravin'
If it's blues you are cravin' just come on down.
You'll hear 'em playin', you'll hear 'em playin'
Soon you'll be sayin', "Hon jazz me 'round"
Because your feet they can't refuse.
What's that familiar strain that true blue note refrain
It's drivin' me insane;
Can't keep still, Tho it's against my will;
I'm on my P's and Q's I just can't refuse.
There goes that melody, it sounds so good to me,
And I am up a tree;
It's a shame, you don't know the name;
It's a brand new blues, The Royal Garden Blues.
Everybody Grab somebody And start jazzing 'round
Hon don't you hear that trombone moan?, Just listen to that saxophone.
Gee, hear that clarinet and flute, Cornet jazzin' with a mute,
Makes me just throw myself away, When I hear 'em play.
That weepin' melancholy strain, Say, but it's soothing to the brain;
Just wanna get right up and dance, Don't care I'll take most any chance;
No other blues I'd care to choose, But Royal Garden Blues.
Ethel Waters (October 31, 1896 – September 1, 1977) was an American blues and jazz vocalist and actress. Born in Chester, Pennsylvania, to a poor family, Waters began her musical career in Harlem clubs during the 1920s. Her powerful and versatile voice allowed her to captivate audiences with blues songs like «Dinah» and «Black Coffee», becoming an icon of African American music. Throughout the 1930s, Waters also established herself in the world of theater, starring in successful productions such as «Mamba’s Daughter». In 1948, she landed her first film role in «Pinky», a movie that earned her an Oscar nomination. Throughout her long career, Ethel Waters left an indelible mark on American music and theater, becoming a symbol of talent and perseverance.
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