Rejoice, rejoice a noble birth, a prince is born.
Behold the birth of violence, beasts of fang and feather cry for our concrete rapture,
And if we beg to be put down, unto us the most inspired storm.
A princess ravaged by her prince behold; the birth of sex and distance, two frail corpses both were they, his eyes were the first to stray... every tree held fast the earth to sky.
Concrete replaces every branch and twig as they were frayed upon the birth of ambition. The heavens filled our gilded vessel with poison tears, before we drink, I propose a toast, a final prayer.
Here's to the watchers in the wood, here's to the last days, unto us a most inspired song.
Shaper, stop the music.
Halt the harp strings whose chords confuse our histories with textures.
With the disheartened chorus of a hymnal whose choir is the conviction of the starving, artless, tempted by the feast of proof that this body of work has worth.
Uncertain as the fingering of a chord torn prematurely from a piano's womb.
As we fill our precious lungs with concrete, that faithful shade, a shaper's song is stopped short- a dying breath a singing shore.
Then the only movement and the last remains of grace:
Pollen falling off the simple hinge joint leg upon the final breath of a dragonfly.
A cardinal, lost but headstrong in mid flight cries for our concrete rapture, wade...
In the water, wade. Let the flood swell, thank the storm for her tears.
The faithful say it's beautiful, it's god's will
But the fool knows what the prophets have seen, no salvation's impending.
The faithful say it's beautiful, it's god's will let the flood swell and the bodies that break we'll just float down the river. Stay tame, soft river, while we weigh our faith, stay sweet, run softly, sweet river, the fool who wades in doubt will float like concrete.
Come and fill your lungs. Come and fill your lungs.
There's so much hope buried underneath tragedy, it's the same shade as concrete.
The faithful say it's beautiful, it's god's will, let the flood swell
On the loudspeaker sermons and a parish descending.
There's so much hope buried underneath tragedy, it's the same shade as concrete.
Let the flood swell.
Circle Takes The Square is an American screamo band from Savannah, Georgia. Their debut release was a 7-track self-titled EP in 2001, followed later by a 7" split with pg.99. In 2004 the band released *As the Roots Undo* on Robotic Empire (CD) and HyperRealist Records (LP gatefold). Their sound is characterized by a strong emotional component, with intricate melodies and introspective lyrics that explore themes of pain, loss, and isolation. Circle Takes The Square is considered one of the most influential bands in the screamo genre, with a loyal following worldwide. Some representative tracks include *The Weight of the World*, *A Thousand Years* and *The End*.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
Hip-hop, one of the most influential cultural movements of the 20th and 21st centuries, has recently reached a significant milestone - it's turning 50 years old.
Coachella Festival 2022: here we are. In two days the doors of one of the most anticipated musical events of the year will open, even more so after the last two years in which for very obvious reasons the live music sector has suffered a very important setback.
The 2022 Grammy Awards were the chronicle of an announced triumph: Jon Baptiste collected 11 nominations and won 5 Grammys, defeating all opponents. This was also the year of the very young Olivia Rodrigo, who managed to take home 3 Grammys, including the the best new artist.
Here is finally some good news, the Arcade Fire have finally revealed the title and release date of their new album, 5 years after the last one. For the fan of the group it has been a time that seemed eternal,
Do we want to define "I know you know me" a masterpiece? Yes, without a shadow of a doubt for at least two reasons. The first and most evident are the artists who interpret it: Caroline Spence and Matt Berninger, second for the deep and poetic text.
My favorite group when I was just a teenager were the Fugees, thanks to them a certain curiosity about english language was born in me. I wanted to know and understand the lyrics of their songs, it wasn't enough for me to be carried away exclusively by their beautiful music.
Sweden and the United States are two countries far from each other, thousands of kilometers separate them, the language, culinary and sporting traditions, I don't feel so categorical about the landscapes, not knowing all of America there may be states that have the same reliefs of the country of northern Europe, but on one thing I am sure
It has been talked about for almost 3 years, rumored and it is hoped that sooner or later they will arrive at a collaboration, and now we are satisfied: the Catalan singer Rosalia and the American musician Oneohtrix finally announce the publication of a piece together!