David Hinds
I wake up in the morning and I
Flash my natty dread yaah!
Give praises to the most high JAH JAH
Then me hold a fresh
Ready for the world wide pressure
It heavy like a lead
I deliver dis ya message with a vengeance
To the heads of government..
To you head yeah!
Chorus
Cos it's time to settle the score
The poor can't take no more
Babylon rotten to the core
The shitstem run by a whore
We nah go bow come we settle the score
All you intellectual fools now
Listen to the youth
They stumble in the paths of darkness
Searching for the truth
No more hey diddle the cat and the fiddle
The cow jump over the moon
We no beg, we no bow, we nah turn poppy show
Nah go play by the rules no!
CHORUS
Yes I and I selassie I soldier
Yes we come fe war
'Gainst wickedness in high and low places
Says you full a flaw
We are the militant prepare to take your stance
Lick down who in our way
I've seen it a thousand times I know revenge is mine
And now you must pay....cause!
CHORUS
Tings get gritty in the city
Have no pity for the guilty
Up from slavery onto victory
Mighty mighty rootsy rootsy
Natty dread locks
Settle the score down easy
Settle the score down easy
Armed with locks and cutchie
Ital yood in my duchie
Dread will conquer the duppy
If you live you are lucky
Time yes it's time
Rough and ready cool and deadly time
Dis ya hustle and a bustle
Fighting against all evil
Destruction of de people
Declare it as illegal
You in a bag of trouble
So don't you move a msuscle
The shitstem run by a whore
Steel Pulse is one of the most successful British reggae bands, both creatively and commercially. Hailing from Handsworth, Birmingham, they began performing in the 1970s, blending authentic reggae roots with jazz and Latin influences. This unique approach earned them an international following, leading to the release of their debut album, "Handsworth Revolution", in 1978. Widely considered a landmark in British reggae, the album marked the beginning of a successful career. Before the end of the 1980s, Steel Pulse won a Grammy Award, cementing their status as prominent crossover reggae artists. In subsequent years, the band returned to roots sounds, incorporating elements of dancehall and hip-hop. Notable tracks include "Ku Klux Klan", "Sound System", "Steppin' Out" and "Jah Jah City".
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