Never shall man take me hence
But only he by whose side
I ought to hang and he shall
Be the best knight in the world.
Taken from the castle feast
To an abbey in the East
Three knights stood in pride as one
Lancelot beheld his son.
Arthur's court he bade him come
Galahad his bastard son
Battles soon for him to fight
Blessed his youthful son a knight.
Arthur and the knights marvelous stone
Floating upon the river alone
Pointing from the rock, the sword shining bright
Glittering jewels, shimmering light.
Pull me, pull me, pull me, pull me.
Gawain first he tried to draw from the stone
To wear by his side
Each knight took his turn
Brave to the last
Faced with the sword remaining fast.
Arthur called a knight young Galahad
Saw in his sheath no sword he had
Took him where the sword
Held by the stone
Offered him there to make it his own.
Pull me, pull me, pull me, pull me.
He fell on his knees
To pull out the hilt
And drew it with ease
The dolorous stroke it was struck with pride
The sword it was hung by Sir Gawain's side
Richard Christopher Wakeman, better known as Rick Wakeman, is a British keyboardist and composer born in 1949. Considered one of the pillars of progressive rock from the 1970s, he achieved international fame for his virtuoso piano and organ technique, as well as for his elaborate and symphonic compositions. Wakeman is best known for his time with Yes (1972-1974), during which he helped define the band's sound with iconic albums such as *Fragile*, *Close to the Edge* and *Going for the One*. After leaving Yes, Wakeman embarked on a successful solo career, releasing numerous albums that span from progressive rock to neoclassical. Among his most famous tracks are *Catherine Howard*, *Journey to the Centre of the Earth* and *The Black Knight*. Wakeman is also a prolific composer for film, theatre and ballet, demonstrating an artistic versatility that has consecrated him as one of the most influential British musicians of the 20th century.
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