If you hatin, debatin, come get me i be waitin , i fuck with niggas to
kill this killas day occupation , im warnin u nigga, dont let these
bitches and liquor, get the ticket on your head blalt blat, trigga got
a button on it i call it a g spot, cuz when i get to touchin on it i
make the peace, im in the zone all by my lonsome, who want some,
touchable by fume, protolome, stop it, a nigga writing this cracka, im
with knife n jackas, i aint fighting no rappas, we gonna rock n roll,
if i was you i'd be calling you niggas know how we do, dont be the next
rapper leaving out here without you, a bloody marl marl the moment can
be spurled , kilt kids the best if u want to go further,come with that
gun clip, its that drunker that drum stick, i make it go goo ba ba
bump, anyone who wants,
i got a 16 ten shoota, it'll bust a ruga, 9 mm shot with my finga on
the trigga
now be for i sign anyone on my squada, snitching is forbidding,
snitching is for bitchs, i dont be seeing how niggas be letting money
come bewteen them, letting bitches come between me, i fee like
nervoulous nigga thats breathing, in they see im the leader, im the
boss of the game, u cant join em or beat em , all u can do is get my
motha fucking way, im gonna be this way till im my fuckin grave, (wow)
sucka free is my moto, touching me aint provado, touching me is sucicidal, i
will spray crowds, i did before i will do it again im true with the pen
,why your just pretending the newest trend is your image, fuck with
killas, fucking killas, nothing reala then that, but blat, warning you
niggas one time again, i go to that drama end, no no im not your
friend, cuz im the pen
Ryan Daniel Montgomery, known professionally as Royce da 5'9", is an American rapper. Best known for his association with fellow Detroit rapper Eminem, the two met in 1997 and formed the hip hop duo Bad Meets Evil the following year. Their 2011 single, "Lighters", peaked at number four on the Billboard Hot 100 and preceded the release of their debut extended play (EP), Hell: The Sequel (2011). The song and EP—which debuted atop the Billboard 200—have both yielded Montgomery's furthest commercial success.
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