La Sexorcisto

Lyrics Soul-crusher La Sexorcisto

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Soul-crusher


Leatherneck'n down the street like "Hey I'm joyrid'n" Like a bad dog
- come on "Burn in!"
Leatherneck'n down the street like "Hey I'm joyrid'n" Like a bad dog
- come on "Burn in!"
Demon got my soul and I said "Drive!" Come on - speed kills - but I'm
alive yeah!
In my Durango 95 Yeah!
Casino on the edge she move like a twister gravity crank - solo my
sista!
Come on. She said "Take me away!" Away! Away! Shout!!
I'm deadly on the eyes an astro-spyder, baby!
A powertripp'n - NO - NO - NO - Maybe? Come on!
Angel trumpets again yeah!
Motherfucker scream "horrorshow" time a diamond ass right on my line!
Come on. She said "Take me away!" Away! Away! Yeah!!
Bruning like fat in the fire the smell of red, red groove screamed
mega-flow
A stalking ground without prey. A flash of superstition whimpering
like a crippled animal.
Dogs of the Soul-Crusher! Pulling closer like the blue steel jaws of
hell.
Digg'n in my heart I find a human generator. Duke of N.Y. See Yeah!
Eliminator all you need is love.
Yeah! Like a cool and crazy freak machine she twanged off and out
like I never seen.
I gonna take her, take her down, down, down watch out!
Shack'n out in my skin - flesh 'n' waves they begin!
I going out like a holiday [Shout It!]
Then my mind generate a weepy young "D" to terminate.
Takin' a trip - I said, "Straight to hell" [Shout It!]
Real country dark the street, hog the road - swamp beat.
She gonna know just what I mean - yeah!
Trip back on the serpent move Z-man slowly bang the groove.
Takin' a trip - "A real kick" to hell [Shout It!]
Think'n that when she die - spirit go up to the sky!
Devil come a stepp'n brainiac a look'n below - yeah! [Shout It!]

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Biografia

La Sexorcisto: Devil Music Volume One is the third studio album by American heavy metal band White Zombie, released on March 30, 1992, through Geffen Records. The album marked a major artistic and commercial turning point for the band. After the recruitment of guitarist Jay Noel Yuenger, White Zombie was able to successfully embrace the metal sound they had pursued since Make Them Die Slowly (1989), while incorporating groove-based elements into their sound as they evolved away from their roots in punk rock and noise rock. The album was the band's last to feature drummer Ivan de Prume.

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