Now hear this crowd of people
I man well vex
And just have fe big up me chest
Cause the Taxi Driver don't have no respect
Want I fe catch bus hop truck and
Ride bike and stand up on the road
And hitch hike
But you see me...dem deh things can't go on
Cause Natty Dread RIDE THE STORM
CHORUS
Taxi Driver
Won't stop for me
Whenever I flag him down
He won't stop for me
DJ BUMBO BROWN
In a London city and in a New York
There are no go areas after dark
I say muggers on the streets
And thief in the park
Tramps pon the sidewalk
A dem a sky lark
Some a catch the taxi - when they reach
Their spot
Pretend to pay the driver
And then they just run off
Some a argue with the driver
And say the fare aint right
The next thing you know
They have a kitchen knife
CHORUS
Taxi Driver
Won't stop for me
Whenever I flag him down
He won't stop for me
To hail a cab
You got to be fast
You try to catch a taxi
But they just drive past
DAVID DREAD
The taxi-cab driver never stop for me
They got all kind of excuses up his sleeve
Some say they off duty
Some say they not free
The taxi cab driver never stop for me
Because of my dreadlocks looking wild
They think I'm a mugger of some bad guy
No they never stop they just pass me by
They treat me like a leper
Who's left to die Yo!
Excuse me mate can you get me a taxi
Is that the driver
Boy...Jungle
DJ BUMBO BROWN
You think that bad
Mek I tell you what the brute
Do to me youth
Well I was walking with my son
Who was just a child
And still the Taxi Driver
Won't give me a ride
He
Steel Pulse is one of the most successful British reggae bands, both creatively and commercially. Hailing from Handsworth, Birmingham, they began performing in the 1970s, blending authentic reggae roots with jazz and Latin influences. This unique approach earned them an international following, leading to the release of their debut album, "Handsworth Revolution", in 1978. Widely considered a landmark in British reggae, the album marked the beginning of a successful career. Before the end of the 1980s, Steel Pulse won a Grammy Award, cementing their status as prominent crossover reggae artists. In subsequent years, the band returned to roots sounds, incorporating elements of dancehall and hip-hop. Notable tracks include "Ku Klux Klan", "Sound System", "Steppin' Out" and "Jah Jah City".
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