[krs-one]
Easssssssssy mahn!
Its impossible to take out boogie down productions
Seen?
Yes.. come mi say
Intro/chorus: krs-one
Come to the tcha, come mi say come to the tcha
Come mi say come to the tcha come to the tcha come to the tcha
Come mi say come to the tcha, come mi say come to the tcha
Come mi say come to the tcha come to the tcha come to the tcha
[krs-one]
Me bus upon the scene around 1986
A few hit records got me started real quick
I represent the bronx, but I am a new yorker
All vegeterian, never eat pork or
Chicken in a battle yes my brain starts clickin
Just like the gears of a watch, tock-tickin
I never lose time cause the rhyme is all digital
For suckers like you, I turn the power up to critical
On every playlist, waxin that anus
Suckers or professionals, bring down the decimal
Point every time you subtract an emcee
People look at me, a p-o-e-t
Teachin suckers like you about the i.c.u.
And the krs-one, sounds like arithmetic
Very psychological; why are you on the dick?
Well, my evaluation is sudden
Takin me out, is somethin closer to impossible
You could try your best
But frankly I dont think its logical
This is yes the dj writer superproducer kris
God gave me a talent, so let me flaunt the gift
Chorus
[krs-one]
Push up ya han-ds, if you out here gettin paid
Push up ya han-ds, if you dont have aids, biddi-by-by
Push up ya han-ds, if you out here gettin pa-ai-id
Push up ya han-ds, if you wont be delayed
Boogie down productions at the head of the raid
Always gettin brighter while the suckers will fade
Life is very serious, its not an arcade
So everything youre hearing, krs has made
Mcs grab the microphone but dont know what to say
So dj krs has come to show dem the way
I always call you females by your name, not hey!
Cause hey will only make a real woman turn away, gwan
Unless the woman is the freak of the yearrrr
Well then you know that krs dont carrrre
Unless the woman is the freak of the yearrrr, biddi-by-by
And then you know that krs dont carrrre
You always call a freak, by the garment they wear
Instead of call it clothes they always callin it gear
Big derriere to make the next man stare
Attracted to the man with jheri curls in him hair
Always puffin cheeba with a forty of beer
But to a re-al wo-man freaks-a can-not compare, gwan
Hold up ya han-ds if you a real wo-man, bo!
Hold up ya han-ds, if you do underst-and
The style that Im sayin, without no delayin
Is blastmaster krs-one, just playin
Its really kinda easy for me, to do a style like this
Its kinda primitive, so please dont miss
The way I do this on the microphone, cause I was never shown
My mother wasnt into b-boyin at the home
No one out can compete
And not another dj rocks this type of beat
Come mi say
Chorus
[krs-one]
Come mi say jump up when ya high, and jump up when ya low-ah
Boogie down productions make the just flow
With m-e-l-o-d-i-e and manager moe
Well wrap up any mc in a ribbon or a bow
People takin pictures of me everywhere I go
Take out three mcs and call it tic-tac-toe
Yes!
Zhoom, dum, da-dum, da-da-dum, da-dum
Zhoom, dum, da-dum, da-da-dum, zhiggi-zi
Zhoom, dum, da-dum, da-da-dum, da-dum
Zhoom, dum, da-dum, da-da-dum, come mi say
Chorus
Boogie Down Productions was an American hip hop group active in the 1980s and 1990s, considered one of the pioneers of hardcore rap and politically charged hip hop. The group was led by rapper KRS-One (Lawrence Krisna Parker), known for his intellectual rhymes and social activism. Their debut album, *Criminal Minded* (1987), is considered a classic of the hardcore rap genre, characterized by aggressive lyrics and fast tempos. Unfortunately, the album was soon overshadowed by tragedy: DJ Scott La Rock, a key member of the group, was murdered at the age of 20 during a gang dispute. La Rock's death deeply affected KRS-One and the group, who continued to record albums until the 1990s, always maintaining a strong social commitment in their songs. Among the group's most representative tracks are *The Bridge Is Over*, *Stop the Violence* and *Sound of da Police*.
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