They say we are endowed with Free Will
--at least that justifies our need for indecision.
But between our insticts and the lust to kill
we bow our heads in submission.
They say that no man is an island
but then they say our castles are our homes;
it's felt the choice is ours, between peace and violence
...oh, yes, we choose, alone?
While the comet spreads its tail across the sky
it nowhere near defines the course it flies,
nor does it find its own direction.
Though the path of the comet be sure,
its constitution is not,
so its meaning is possibly more
than the tracing of a tail
in one brief shot at glory.
Love and peace and individuality--
so order and society are man-made?
War and hate and dark depravity--
or are we slaves?
Channeling aggressive energies,
the Death Wish and the Will to survive
into finding and preserving enemies--
is that the only way we know that we're alive?
In the slaughterhouse all corpses smell the same,
whether queens or pawns or innocents at the game;
in the cemetery a uniform cloaks the graves
except for outward pomp and circumstance.
There is a time set in the calendar
when all reason seems barely enough
to sustain all the shooting stars:
times are rough.
I'm waiting for something to happen here,
it feels as though it's long overdue:
maybe a restatement of yesteryear
or something entirely new.
And the knowledge that we gain in part
always leads us closer to the very start,
and to the founding questions:
How can I tell that the road signed to hell
doesn't lead up to heaven?
What can I say when, in some obscure way,
I am my own direction?
-----------------------
Peter Joseph Andrew Hammill (nato il 19 agosto 1948) è un cantautore, tastierista e polistrumentista britannico, noto soprattutto per essere stato il frontman dei Van der Graaf Generator e per la sua prolifica carriera solista. Hammill ha iniziato a suonare musica all'età di sette anni, influenzato da artisti come Bob Dylan e The Beatles. Nel 1967 formò i Van der Graaf Generator, band prog rock che raggiunse un grande successo negli anni '70 con album come "Pawn Hearts" (1972) e "Godbluff" (1970). Hammill è noto per il suo stile vocale unico, potente e teatrale, spesso accompagnato da testi complessi e introspettivi. Dopo la prima scioglimento dei Van der Graaf Generator nel 1978, Hammill continuò a registrare musica sotto il proprio nome, pubblicando oltre 30 album in carriera. Tra i suoi brani più rappresentativi si ricordano "A Plague of Lighthouse Keepers" (1973), "Man-Erg" (1976) e "The Silent Corner and the Empty Stage" (1982). La sua musica è caratterizzata da un'atmosfera oscura, melodica e spesso sperimentale, con influenze che spaziano dal rock progressivo al jazz fusion. Hammill ha collaborato con numerosi artisti, tra cui David Sylvian e Robert Fripp.
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