As I walked into the charity store
I saw a second-hand shirt hangin' up by the door
The collar was frayed, there was a stain on the cuff
Caused by ketchup or blood or some such stuff
It wasn't made of polyester or nylon
The label said "Made in the UK" so I tried it on
And I looked in the mirror and declared
"I like this shirt, I want it"
It's not the label on the shirt that you wear
It's the way that you wear it
They say it's style and breeding and culture that counts
But you can't change good taste on the expense account
And if design or fashion makes you a hero
You can dress all highbrow but still be an emotional zero
But I declare "It's not the shirt you wear
It's the way that you wear it"
I was looking for danger, I should have taken more care
I was dressed to kill, I felt so debonair
Wild expectations, arrogant air
Then I walked into that bar, she was standing there
I walked over with all my savoir fair
And she said "You're a smart looking dude
But your character's ugly, it clashes with my shoes
And I, I can't stand your attitude"
I assumed it was leading to a romantic interlude
I thought my conquest was made
But I was stunned by the magnitude
Of her ingratitude
I spent a good thirty bucks on this babe
Like the shirt I was wearing
This romantic affair was not destined to last
The harder I tried, the louder she laughed
I was reduced to despair, my emotions laid bare
She knew I was hurt, made me feel like a jerk
I was humbled, humiliated, castrated
My masculinity dragged through the dirt
Then thrown in the air to be devoured by the lions
The vultures, the jackals and all the scavengers of love
I was strutting around with my chest stuck out
like a peacock preparing to get laid
Thought I looked cool but she put me down
She said "You look like a clown on a circus parade"
Still the shirt has class, it looks well made
She was a babe of the first degree
She was totally fantabulous
Like a goddess from Greece and yet
The epitome of the 20th century femininity
She was in her own league
She was meant for me, it was destiny
Like Adam and Eve, synchronisity
She brought out the testosterone in me
Last time I saw that babe she was smiling contentedly
Now I'm trapped on this murder rap, a mistaken identity
It wasn't me, it wasn't me, it wasn't me
Now this cop says "It's up to you, death row or solitude
Crime of passion, you should plead 'insane'
You say you wouldn't lie, but we've just blown your alibi
We've found your shirt and it's got a blood stain"
It was the shirt you were wearing
It was the shirt you were wearing
The Kinks are a British rock band formed in London in 1963 and active until 1996. Considered one of the most influential groups of the British Invasion, they left an indelible mark on rock music with their characteristic sound that blended catchy pop melodies with introspective and often satirical lyrics. The original lineup included Ray Davies (vocals, guitar), Dave Davies (guitar), Mick Avory (drums) and Pete Quaife (bass). Quaife was replaced by John Dalton in 1966 and then permanently in 1969. The Kinks released a vast discography of successful albums, including "Kinks Are the Village Green Preservation Society" (1969), "Lola Versus Powerman and the Moneygoround" (1970) and "Sleepwalker" (1973). Their most famous songs include "You Really Got Me", "All Day and All of the Night", "Waterloo Sunset", "Lola" and "Days". The Kinks were inducted into the Rock and Roll Hall of Fame in 1990.
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