Oooh I love you
Giggle giggle
The surf talks
Do you love me too?
If the surf could talk, I know she'd ask
Do you think you're equal to the task?
If the surf could talk, she'd say
Beware I love you
So I'd answer very carefully
And I'd ask if she'd be there for me
And the surf says always
Beware I love you
The surf says I want you like you want me
Am I in you? Are you in me?
Tell me
The surf talks
And it knows what to say
The surf talks
I must learn to obey
The gun cocks, the clock stops, the earth rocks, the surf talks
The surf talks
Puts its tongue on my skin
The surf talks
While it's sucking me in
The door locks and unlocks, the veil drops, the surf talks
She has promised me a beach of pearls
And an endless wave, a perfect curl
And she tells me always
Beware I love you
She will place the world inside my hand
She will touch the soul of every man
She will take my message
I'm here to love you
The surf says I want you here inside me
Am I in you? Are you in me?
Tell me
We are standing on a beach of pearls
We are riding deep inside the curl
And everybody all around the world
Must surrender when your flag unfurls
We are standing on a beach of pearls
We are riding deep inside the curl
And everybody all around the world
Will be dancing in the sea.
Todd Harry Rundgren (born 1948) is an American musician, singer-songwriter, record producer, and audio engineer. Considered one of the pioneers of progressive rock music in the 1970s, Rundgren achieved international fame with his debut album "Something/Anything?" (1972), which includes the hits "I Saw the Light" and "Hello It's Me". Besides his solo career, Rundgren is known for his collaborations with artists like Grand Funk Railroad, Meat Loaf, and XTC. He is also a renowned record producer, having worked with artists such as Patti Smith, The Tubes, and Hall and Oates. His musical influence spans various genres, from progressive rock to pop and electronic music. Some of his most important albums include "A Wizard, A True Star" (1973), "Something/Anything?" (1972) and "Healing" (1980).
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