I was a tourist in the Andes
On my way to Tiahuanaco
Where the balance of a weeping god
Faced east to the rising sun
But I looked out the window
And all I could see
Was the face of a girl
She was looking at me
She was begging for food
Then I knew I had found
The weeping god
In the face of a child
As she gestures with her fingers
Her little brother followed suit
And all I did was take my camera
So the image never fades away
I no longer saw the great gate of the sun
Nor the dawn of time when our race had begun
Just black eyes like starving dogs looking at me
A weeping god was all I'd ever see
And as I sat in contemplation beyond all charity
Losing the magic and meaning of living
(the earth and the stars these things are mine)
And when they've drained the earth of all resources
We'll face the music still
For you and I shall be striking memories
In the thoughts of our children's children
I had arrived at my destination
At the gate of the rising sun
We shall again regain in sunset that balance
That we left undone
I stared at the shacks and the shanty town mess
I couldn't help but to think of the West
The balance was lost and my reason went wild
As the weeping god came alive in the child
I began to weep
And I remember the violation
Determination came,
Determination, Yeah!
Killing Joke è un gruppo musicale britannico formatosi a Notting Hill, Londra, nel 1979. Considerati pionieri del genere post-punk e progenitori del movimento goth rock, hanno influenzato profondamente la scena musicale alternativa con il loro sound oscuro, sperimentale e spesso aggressivo. L'unico membro fondatore ancora attivo è Jaz Coleman, cantante e frontman carismatico noto per le sue performance teatrali e visionarie. Tra i membri storici figura anche Geordie Walker (fino al 2023), chitarrista che ha contribuito a definire il sound distintivo del gruppo. Altri componenti chiave includono Youth (bassista) e Paul Ferguson (batterista). Killing Joke ha pubblicato un'ampia discografia, con album come "Killing Joke" (1980), "What's This For?" (1981) e "Revelations" (1986) che sono diventati classici del genere. I brani più rappresentativi includono "Eighties", "Love Like Blood", "The Wait", "Requiem" e "Pandemonium". Il gruppo ha attraversato periodi di pausa e reunion, mantenendo un seguito fedele e influenzando generazioni di musicisti.
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