(feat. DMX)
[Intro]
"Buy it - use it - break it - fix it -
crush it - change it - melt - upgrade it
[Intro continues in slower pitch]
[Busta Rhymes]
Aiyyo, what you think the building is gon' feel like
once the dog and Busta Rhymes come through this
motherfucker?
Oh man, not again
OOOOOWWWWWW
[Chorus]
"Touch it - bring it - pay it - watch it -
turn it - leave it - stop - format it"
[repeat 4x]
[DMX] WHAT, remix
[Busta] We 'bout to do it again
[DMX] WHAT, remix
[Busta] We 'bout to do it again
[DMX] WHAT, remix
[Busta] We bout to do it again
[DMX] WHAT
[Busta Rhymes]
Aiyyo dog, lets take it to another level
Get low Bus
You see them back with the smash
I told you niggaz I'm comin and bustin yo ass
Alot of niggaz is hype, but you know they hardly be trash
See I don't read through them niggaz, bout to step on the gas (TURN IT UP)
EVERYBODY WANNA KNOCK IT, SEE THIS SHIT OFF THE HOOK
GOT THE DOG WIT ME LIKE WE BOUT TO DO IT TO JOOKS
EAT A NIGGA FOOD, CALL ME BLACK CAESAR THE CROOK
AND WHILE I'M BACK BRINGIN THE PRESSURE
YOU NIGGAZ IS SHOOK
Get low Bus, aye nigga, gimme a second
See you ain't in my lane homie, just for the record
Everytime you see me, you need to, you better respect it
Cause when I bring it, you I'm only comin to bust it (TURN IT UP)
BUSTA BUS, SWIZZ AND X, YOU CAN'T HANDLE US NOW
SEE I'M THE THRONE HOLDER BITCH, THE SHIT'S UNANIMOUS NOW
WHO THE FUCK WANNA TRY TO COME BANG WIT US NOW
NONE OF YALL, THAT'S WHY OUR BITCH WANNA HANG WIT US NOW
I LET 'EM
[Chorus]
[DMX]
Grrrrrrrrr
[Busta Rhymes]
Get low X
[DMX]
Anything it's took, it's gon be a breakdown
Come through like "hmmm, what I'm gon take now?"
Whatever the fuck I want, trust me dog
It gets ugly even when it comes to the hunt (TURN IT UP)
NIGGAZ LIKE TO STUNT, YOU WANNA TO FRONT
I'MA HIT YOU AND YOUR MAN
AND IMA HIT YOU WHERE YOU STAND (WHAT)
NIGGAZ AIN'T BUILT FOR NOTHIN BUT FRONTIN
COME THROUGH, FAGGOTS HIT THE SECURITY FRONTIN (Keep goin X)
Get that do, What that do? How that do?
Fuck you faggot, I shot at you
And what? You and you mans butt, you in your man's truck
But your chance is up, not get up {TURN IT UP}
YOU KNOW HOW THAT SHIT GOES, LET THAT SHIT GO
AIN'T NOTHIN CHANGE, BEEN THE SAME FROM THE GETGO (WHAT)
GET UP OUT THAT WHIP YO, I AIN'T GON' TELL YOU AGAIN
FUCK IT, SAY HELLO TO MY LITTLE FRIEND
[Chorus]
[Busta Rhymes]
Get low X
[DMX]
Swizz is the monster, X is the beast
Fuckin wit Bus, man everyday is a piece
Stay off the streets, tired of talkin to y'all niggaz
I'ma stick a fork at y'all niggaz (TURN IT UP)
WHEN I HIT 'EM, MAN THAT CRUNK GON GET 'EM MAN
FUCKED UP HOW I DID 'EM MAN (WHAT)
AIN'T NO REMORSE BUT THE CHORUS, TRUTH IS
CAN'T I.D. THE BODY, NIGGA TOOTHLESS
[Busta Rhymes]
Get low Bus, just like peas and rice
The way I cook, niggaz gotta have a Jesus Christ
What the fuck you niggaz wanna do? Please, I'm nice
I'm only gonna say it once, I'm ain't sayin it twice (TURN IT UP)
YO I SWEAR TO GOD, YOU DON'T WANT
NO PROBLEM WHEN I PACK OUT THE FULL CLIP
BUS RHYMES, BACK ON THE BULLSHIT
FUCK YOU WANNA COME AROUND, YOU AND YOUR CREW SPIT
I'M HEAR TO FIX THE GAME AND I'M BACK WIT THE TOOLKIT, YOU CAN
[Chorus]
[Drum plays in the beat]
[Chorus 'til fade]
Busta Rhymes, whose real name is Trevor Tahiem Smith Jr., is an American rapper, record producer, and actor born in Long Island, New York, in 1972. Considered one of the pioneers of hardcore rap in the 1990s, Busta Rhymes stands out for his frenetic flow, complex rhymes, and energetic stage presence. He began his career as a member of the Leaders of the New School group, collaborating with artists like A Tribe Called Quest and De La Soul. In 1996 he made his solo debut with the album "The Coming", followed by successes such as "When Disaster Strikes" (1997) and "E.L.E.M.E.N.T.S." (2000). Among his most representative songs are "Put Your Hands Where My Eyes Can See", "Scenario" and "What's It Gonna Be?!". Busta Rhymes has collaborated with numerous artists, including Mariah Carey, Linkin Park and Janet Jackson. Besides music, he has acted in films like "Shaft" (2000) and "Halloween: Resurrection" (2002).
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