Conheci uma garota que era do barbalho
Uma garota do barulho
Namorava um rapaz que era muito inteligente
Um rapaz muito diferente
Inteligente no jeito de pongar no bonde
E diferente pelo tipo
De camisa aberta e certa cala americana
Arranjada de contrabando
Sair do banco e desbancando despongar do bonde
Sempre rindo e sempre cantando
Sempre lindo e sempre, sempre
Sempre rindo e sempre cantando
Conheci essa garota que era do barbalho
Essa garota do barulho
No tempo que Lessa era goleiro do Bahia
Um goleiro, uma garantia
No tempo que a turma ia procurar porrada
Na base da v valentia
No tempo que preto no entrava no baiano
Nem pela porta da cozinha
Conheci essa garota que era do barbalho
Num lotao de liberdade
Que passava pelo ponto dos quinze mistrios
Indo do bairro p'ra a cidade
P'ra a cidade quer dizer pra o Largo do Terreiro
Pra onde todo mundo ia
Todo dia, todo dia, todo santo dia
Eu, minha irm e minha tia
No tempo quem governava era Antonio Balbino
No tempo que eu era menino
Menino que eu era e veja que eu j reparava
Numa garota do barbalho
Reparava tanto que acabei j reparando
No rapaz que ela namorava
Reparei que o rapaz era muito inteligente
Um rapaz muito diferente
Inteligente no jeito de pongar no bonde
E diferente pelo tipo
De camisa aberta e certa cala americana
Arranjada de contrabando
Sair do banco e, desbancando, despongar do bonde
Sempre rindo e sempre cantando
Sempre lindo e sempre, sempre, sempre
Sempre rindo e sempre cantando
Sempre lindo e sempre
Sempre rindo e sempre me olhando
Gilberto Gil, born Gilberto Passos Gil Moreira on June 26, 1942, in Salvador de Bahia, Brazil, is an internationally renowned singer-songwriter, musician, and politician. Considered one of the pillars of Brazilian music, Gil has gone through various musical phases, from bossa nova to progressive rock, influencing generations of artists with his versatility and social commitment. He began his career in the 1960s with a psychedelic and folk sound, anticipating the sounds of the Brazilian Tropicalismo movement. Over the years, he has collaborated with artists such as Caetano Veloso, Gal Costa, and Tom Zé, contributing to shaping Brazil's musical identity. Gil was also Minister of Culture from 2003 to 2008, demonstrating a strong political commitment to promoting art and culture in his country. Among his most representative songs are "Expresso 2222", "Aquele Abraço" and "Domingo no Parque". Gilberto Gil remains an iconic figure in the Brazilian music scene, appreciated both for his innovative music and his social engagement.
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