I smiled cause I know I tried firing up the circuits
Cant see myself jumping double Dutch
Cause I know I'd smell the plastic burning
Last night was a pessimistic skydive
In foolish narcotic shell
Beat the boredom that frames the lightning
Beat the path of the ritual
Gonna become gonna become gonna become gonna become unsound
Bottom lip quivers rage is so apparent
Don't know whether to kill or cry
Don't know whether to rebuild or to burn it
You don't know how just to say goodbye
Ill tell you what, what's to tell
Its the world not a call I can screen out
Keep it down see if it digests
Your batteries are shot
So are the instruments
Gonna become gonna become gonna become gonna become unsound
You better run, don't want to become yourself
Flies in and out of focus
Next best thing to a rage
I don't like the way that it coaxes me to explain
If you don't realize it's crazy
If you can't understand the source
Don't reach too fast for the answers cause it gets worse
Turn your face to the day that's striking
Bend the barrel when the chambers full
Id give you more but you know that there's nothing
Hardly get any sleep at all
Ill tell you what, what's to tell
Its the world not a call I can screen out
Don't kill your partner before the dancings started
Kill the path of the ritual
Headstones were a Canadian hard rock band that began in the late 1980s in Kingston, Ontario and were active until 2003. The band consisted of vocalist Hugh Dillon, guitarist Trent Carr, bassist Tim White, and drummer Dale Harrison. Known for their high-energy live shows, often selling out small and mid-sized venues, Headstones stood out for frontman Hugh Dillon's interaction with the audience, which included provocative gestures like spitting and throwing lit cigarettes into mosh pits. Their songs tackled serious and controversial topics, such as suicide and necrophilia. Considered one of the most commercially successful Canadian rock bands of the 1990s, Headstones left a lasting mark on the country's music scene.
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