Je te mange à la croque au sel
Ton vice est mon péché véniel
Mais si je dis dans ma chanson
Qu'aimer c'est pas la communion
Que les versets de mes prières
Sont bannis dans nos séminaires
Que je te prends très rarement
Comme on prend le saint sacrement
Il est certain que mes écrits
Feront d'la peine au pape
Il est certain que ses écrits
Feront d'la peine au pape
Je crains que les enfants d'Marie
A jamais n'm'échappent
Il craint que les enfants d'Marie
A jamais n'lui échappent
Si je racontais nos fantasmes
Et comment tu prends ton orgasme
Comment tu peux trouver suave
De jouer ma petite esclave
Comment c'est bien plus rigoloD'être ton petit gigolo
Comment parfois je tyrannise
Tendrement ma putain soumise
Je me ferais traiter d'sado
De petit sadique
Il se ferait traiter d'sado
De petit sadique
Je me ferais planter dans l'dos
L'épée juridique
Il se ferait planter dans l'dos
L'épée juridique
C'est pourquoi j'aime mieux qu'on taise
Ce qui brûle en tes yeux de braise
Car si je disais par ailleurs
Que je suis même un peu voyeur
Que parfois je suis ton sujet
Que je puis être un homme-objet
Qu'en rêvant tu me mets des chaînes
Tu me prends pour ton bois d'ébène
Je me ferais traiter d'maso
De masochiste
Il se ferait traiter d'maso
De masochiste
Je me ferais broyer les os
Par les moralistes
Il se ferait broyer les os
Par les moralistes
Si je disais qu'en plus de ça
Les pédés ne me gênent pas
Que je n'ai rien contre les gouines
Que sont nos deux jolies voisines
Si j'ajoutais qu'il nous arrive
De faire la fête avec des Juives
Et de danser jusqu'au matin
Chez des amis nord-africains
On verrait dans le Parisien
Ma figure hirsute
On verrait dans le Parisien
Sa figure hirsute
La belle tête d'assassin
Ecrirait Minute
La belle tête d'assassin
Ecrirait Minute
Jean Ferrat, born Jean Tenenbaum (1930-2010), was one of the most beloved and influential French singer-songwriters of the 20th century. Born in Lyon to a Jewish family, his music always reflected a deep social and political commitment. After starting as a jazz musician, Ferrat dedicated himself to chanson in the 1960s, finding success with songs like "La Montagne" and "Auprès de mon arbre". His warm and powerful voice, accompanied by poetic and reflective lyrics, won over the French public. Ferrat addressed themes such as war, poverty, love, and freedom, becoming a symbol of resistance and hope for many. Among his most important albums are "L'Homme à la guitare" (1965) and "Le Chant du monde" (1970). His music continues to be appreciated and listened to in France and around the world.
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