Ndege kwenda wapy mama
W’happy mama
Betu bana nang…
Betu bana
Ici start le chant son
FaÁon tout en emotion
Tard le soir
Boulevard des boulevards
Devant mon miroir
Profil trois quart
J’divise mon regard
Assise pénard
Je m’sens fatiguée
Je m’glass un balaise
P’tit Baileys punaise
M’attention baisse
L’pouvoir du Blaise
Foutaise
Blasé, bl&Mac226; mé
Et puis bla bla bla
Je révise mon art
Coup de poignard
Dans mon regard
Zap mamare
Je prend ma part
Pour le départ
REFRAIN
Besoin de gazole
Nous les gazelles
Au go&Mac251; t pickles
On en ensorcellent
Pour celles
Qui veulent du nickel
Écoute ces détails
M’me si tu coupes l’ail
Qui dit travail, dit bataille
Pas besion de médaille
Pour que ton train train aille
Tu t’es connecté
Le rythme est lancé
Plus besoin de penser
C’est ton temps
Tenté d’y aller?
Il y a des bruits rythmiques
Avec du tribal ethnique
Des sons métalliques
Faut trouver le technique
Tout va vite, tout va vite, tout va vite
REFRAIN
Pour 2000
Plus de bile
Tape subtil et utile
T’as ton mobile
Paf! facile
Fini la bisbille
&Mac226; me ‡ zone
Nous les filles
Misons
Surface le pile
Pilotes donc
Ta cagnottes
Notes, notes
Et complottes
Pote
Avec elles pottent
Pote,
Détache donc tes menottes
Mais nota bene bene
Bénébé bénéfices
Fils ‡ fils
Ce, sans fissure
Chante, chante
She say, she say
REFRAIN
W’happy mama
W’happy mama
Zap Mama is a Belgian musical group founded in 1991 by the artist Marie Daulne, born to a Belgian father and a Congolese mother. The formation, initially focused on a cappella performances, has developed a repertoire that blends pop, African, and American influences. Their polyphonic vocal style and traditional African sounds have won an international audience, leading them to collaborate with world-renowned artists such as Peter Gabriel and Youssou N'Dour. Among their most representative songs are «Soweto», «Adiemus» (in collaboration with Karl Jenkins) and «Mama». Their debut album, also titled Zap Mama, dates back to 1993 and marked the beginning of a successful career.
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