This song here is by far the sexiest of all the songs that I've done tonight.
I am telling you that as a warning.
All those who have a low threshold of sex, you had better leave now, because I will not be responsible for all the screaming and grabbing that goes on once I start to sing this.
Some fellas have it and some fellas don't.
I just happen to have it.
And I'm gonna give it to you.
Now, I wrote this song for married people.
Married people will understand this best.
Uh, I realize that tonight there are a lot of people in the audience who are not married, but I figure the line of demarcation has gotten so fuzzy lately that you'll understand it too.
Let's hear it for fuzzy demarcation, folks! I said that line in Vegas, and there's a pit boss named Fuzzy Demarcation came running out...
This song is sung by a husband to his wife.
They've been married ten or fifteen years, and this song illustrates what can happen in a modern marriage.
And I have to pick somebody out to be my wife for this, so I'll pick you.
Is that all right? OK.
Allan Sherman (30 novembre 1924 – 20 novembre 1973) è stato un cantautore, paroliere e produttore televisivo statunitense noto per le sue parodie musicali degli anni '60. Nato a New York da una famiglia ebrea, Sherman iniziò la sua carriera come scrittore di commedie per il teatro e la televisione. Il suo album d'esordio, *My Son, the Folk Singer* (1962), divenne il disco più venduto fino a quel momento, grazie al successo di brani come "Hello Muddah, Hello Fadduh", una parodia del celebre *Dance of the Hours* di Ponchielli. Sherman ha continuato a pubblicare album di successo negli anni '60 e '70, caratterizzati da un umorismo intelligente e orecchiabili melodie. Tra i suoi brani più famosi ricordiamo anche "The Ballad of Irving Berlin" e "A Bushel and a Peck". La sua musica ha contribuito a definire l'umorismo musicale americano degli anni '60, influenzando generazioni di artisti.
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