La Sexorcisto

Lyrics Welcome to planet motherfucker/psychoholic slag La Sexorcisto

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Welcome to planet motherfucker/psychoholic slag


woven in the surface a premonition of a land erupting a sparkling occasion of a city crashdown!
overhead revolv'n in a whirlpool a drag-o-rama walk'n on the sidewalk so let me see ya howl'n
through the keyhole "god damn, swept away" she shouted - she love it - get in away yeah! I
concentrate the midnight without the benefit of ceremony - whoever said, "The one who strips your
soul is the one that got away" a weather-beaten angel descending to embrace the cemetery - got
love - so mystifying "god damn, swept away" she shouted - she love it - get in away - yeah! voodoo
beat on the mind the digs too deep to find something has got to give, man [psych-out] racketeer or
star you are just what you are, don't play the misty, baby! [get you] into a river sky electro nation
cry "i need another, now" drift beyond the sleeping the moon is shift'n shadows on her figure -
swamptime locomotion "i can't take it, anymore!" sunlight through the shutters illuminating moment to
the moment buzz a halo over "god damn, swept away" she shouted - she love it - get in away - yeah
- planet pretty kill - motherfucker hang me on the thrills - psychoholic slag tomorrow is another drag
[yeah] picnic in the homeland - like a jesus super-star yeah! kiss me deadly, baby [baby] i know
who you are [come on] planet pretty kill - motherfucker hang me on the thrills yeah! no small heaven
[haven] i got the left hand of the keeper - meet me in st. louis "god" a one-way ticket's cheaper
yeah! time-travel i'm walk'n [walk'n] i got a white line zombie fever [fever] yeah! time bomb the hero
[hero] yeah get down!!

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Biografia

La Sexorcisto: Devil Music Volume One is the third studio album by American heavy metal band White Zombie, released on March 30, 1992, through Geffen Records. The album marked a major artistic and commercial turning point for the band. After the recruitment of guitarist Jay Noel Yuenger, White Zombie was able to successfully embrace the metal sound they had pursued since Make Them Die Slowly (1989), while incorporating groove-based elements into their sound as they evolved away from their roots in punk rock and noise rock. The album was the band's last to feature drummer Ivan de Prume.

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