Fensterplatz, letzter Satz nur Lippenlesen
Ich komm' wieder irgendwann deine Kippen kleben
An meinen Sohl'n wir könn'n das nicht wiederhol'n
Haben ein One-Way-Ticket für uns
Dieses kleine Leben sattgehabt
Wir sehen uns später
Hoff' du findest deinen Platz unter Verrätern
Kann dich noch sehen wie du mich lachend verstehst
Oh, dieser Sommer geht scheiße los, ja
Uh-uh, uh
Uh-uh, uh
Uh-uh, uh
Blauer Himmel, weißer Sand
Man könnt's nicht wissen
Desertierst über den Strand
[?], dass ich dir das gewünscht
War das bei uns hier nicht drin?
War'n wir nicht immer schon für uns da?
Jetzt schlaf' ich nicht mehr ein
Und ich wache nicht auf
Ich geh' nie wieder heim
Ich glaub', ich geh' an dir drauf
Ey, wieso könn'n unsere Fragen
Nicht Antworten sein, ja
Vielleicht wär dein Herz und meins
Dann endlich weniger allein
Weniger allein
Na-na, na-na-na, na
Weniger allein
Weniger allein
Es gibt nichts zu bereuen
Und nichts zu verhindern
Das Leben ist ein Hurensohn
Er wird sich nie ändern
Haben hundert Jahre Zeit
Und ein Viertel ist rum
Ey, ich will nur eines sein
Wenn der nächste Abschied kommt
Weniger allein
Weniger allein
Weniger allein
Weniger allein
Uh-uh, uh
Uh-uh, uh
Uh-uh, uh
Na-na, na-na-na, na
Na-na, na-na-na, na
Anton Bruckner (1824-1896) è stato un compositore austriaco, considerato uno dei più importanti esponenti del Romanticismo musicale. Conosciuto per le sue grandiose sinfonie, spesso caratterizzate da una struttura complessa e da un'atmosfera mistica, Bruckner ha lasciato un'impronta indelebile nella storia della musica classica. Le sue opere sono state influenzate dal suo background religioso e dalla sua profonda spiritualità. Tra le sue composizioni più famose figurano la Sinfonia n. 4 in re minore "Notturno", la Sinfonia n. 7 in mi maggiore e la Sinfonia n. 9 in re minore, incompiuta alla sua morte. Bruckner ha collaborato con importanti musicisti del suo tempo, tra cui il direttore d'orchestra Hans Richter, che ha contribuito a diffondere le sue opere.
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