Who are you, my pretty fair maid,
Who are you, me honey?
And who are you, my pretty fair maid,
And who are you, me honey?
She answered me quite modestly, I am me mother's darling
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
And will you come to me mother's house,
When the moon is shining clearly?
And will you come to me mother's house
When the moon is shining clearly?
I'll open the door and I'll let you in
And divil 'o one will hear us
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
So I went to her house in the middle of the night
When the moon was shining clearly
So I went to her house in the middle of the night
When the moon was shining clearly
She opened the door and she let me in and divil the one did hear us
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
She took me horse by the bridle and the bit
And led him to the stable
She took me horse by the bridle and the bit
And led him to the stable
Saying "There's plenty of oats for a soldier's horse,
To eat it if he's able"
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
Then she took me by the lily-white hand
Led me to the table
Then she took me by the lily-white hand
Led me to the table
Saying "There's plenty of wine for a soldier boy,
To drink if he is able"
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
Then I got up and I made the bed
I made it nice and aisy
Then I got up and I made the bed
I made it nice and aisy
The I got up and I laid her down
Saying "Lassie, are you able? "
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
And there we lay till the break of day
Divil the one did hear us
And there we lay till the break of day
And divil the one did hear us
Then I arose and put on me clothes
Saying "Lassie, I must leave you"
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
And when will you return again
When will we get married?
And when will you return again
When will we get married?
When broken shells make Christmas bells
We might then get married
With me
Too-ry-ay Fol-de-diddle-day Di-re fol-de-diddle Dai-rie oh
Loreena McKennitt is a Canadian singer-songwriter and musician of international fame, known for her music that blends Celtic, New Age, world music, and folk elements. Born in Winnipeg, Manitoba, in 1957, McKennitt began her musical career in the 1980s with a strong influence of Irish folk. Over the years, her style has evolved to include musical influences from diverse cultures, including Moroccan, Greek, Turkish, Indian, and Native American. Her angelic voice and harp playing skills are distinctive elements of her unique sound. McKennitt has sold over 14 million albums worldwide, achieving international success with albums such as *The Visit* (1991), *Tafelmusik* (1995) and *Nights from the Alhambra* (2006). Some of her most representative songs include "The Mummer's Dance", "Santiago", "Bonny Portmore" and "Stolen Car".
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