Abre la boca, yo sé que tú tragas
Cuando te lo coma', muéstrala que tú lo ama’
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh; bésa-bésa-bé—)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Bé-Bé-Bé—; bésalo, bésalo)
No?lo?mire'?mucho, cómete eso
Bésalo,?bésalo, bésalo, bésalo,?bé— (Bésa-bésa-bé—)
No lo mire' mucho, cómete eso
Bésalo, bésalo, bésalo, bésalo, bé— (Bésalo, bésalo)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh, eh; bésa-bésa-bé—)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Bé-Bé-Bé—; bésalo, bésalo)
Bésalo, chúpalo, muérdelo, agárralo, trágalo
Con la champaña to’ bájalo, hágalo
No le pare' bola a eso, vamo' a gastar par de peso'
Yo quedo loco si tú mueve' eso
Tiene' la' chapa' má’ dura’ que un yeso
Quédate aquí, que yo curo eso
Por mi mami yo caigo hasta preso
Dale-Dale-Dale una chuliá', ¡con lengua!
Dale una chuliá’, ¡con lengua!
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh; bésa-bésa-bé—)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Bé-Bé-Bé—; bésalo, bésalo)
No lo mire' mucho, cómete eso
Bésalo, bésalo, bésalo, bésalo, bé— (Bésa-bésa-bé—)
No lo mire' mucho, cómete eso
Bésalo, bésalo, bésalo, bésalo, bé— (Bésalo, bésalo)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh, eh; bésa-bésa-bé—)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Bé-Bé-Bé—; bésalo, bésalo)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh; mal)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh, eh)
(Jaja, Ra-Rauw)
Pendiente que el nene se viene
En tu' parte’ tú la quieres
Jugando con él se entretiene
Con su' do' mano' la sostiene (¡Yah!)
Dale, no pierda' el enfoque
Que lo tengo má' duro que un bloque (Wuh)
Cuida'o que no te sofoque, no' fuimo alofoke (¡Yah!)
No llegamo' a la cama, no' quedamo' en la sala (Ey)
Llénalo de baba, mejor queda si resbala (Uh)
Uh-uh-uh-uh, usa lo' diente'
Uh-uh-uh-uh, qué rico se siente (Ah-ah)
Abre la boca (Ah-ah), yo sé que tú tragas (Ah-ah)
Cuando te lo comas, muéstrala que tú lo ama' y ya (Bé-Bé—)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Bé-Bé-Bé—; bésalo, bésalo)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh; bésa-bésa-bé—)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh)
Bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo, bésalo (Eh, eh)
Dale-Dale-Dale una chuliá', ¡con lengua!
Dale una chuliá', ¡con lengua!
Besa la vaina de El Hombre
Ra-Rauw
Rauw Alejandro
Con El Alfa, con El Alfa
Chael
El Alfa, whose real name is Emmanuel Herrera Bautista, is a Dominican rapper and musician born in Santo Domingo in 1987. Considered one of the pioneers of Dominican urban music, El Alfa has contributed to spreading dembow music internationally. His musical style is characterized by its contagious energy, intricate rhymes, and the use of traditional Dominican rhythms reinterpreted in a modern key. Among his most famous songs are "La Mamá", "Pepas" and "No Te Conozco". El Alfa has collaborated with international artists such as Daddy Yankee, J Balvin and Nicky Jam, consolidating his position as a leader in the Latin American music scene.
In the realm of rock 'n' roll, there are few names as iconic as Queen, and within the Queen pantheon, Brian May stands out not only as a legendary guitarist but also as an astrophysicist with a profound connection to NASA.
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