It is bastard biz
Slim shirt, belly pops out
They call me Big Burt
Darts player, tungsten delivery phantom
On the treble sixty
[?]
It's really dated
And yet you still caught it
Make out you're knowledgeable
You still rate it
Airfix dickheads
You snap-on tools who never grow
Shelling out fifteen-hundred pounds to see an has-been
Who can't even do three gigs in one go, what's that?
Wheel that on a three-sixty
You music magazines lying to us
Just to stay in print
Well, I want a free frisbee
Plugging a shit pic
So you can still parade around Arnos Grove in your get-up
Namedropping nineties pricks
Worse
It's getting shitter
And no amount of talking about
Something that you'll never do anything about
Is gonna make it better
Yeah, yeah, yeah
I got a wonky back
Inspector Gadget
In deep sea batter
80's cafè, Scampi champ
Alright chap, Bostom stump
You fall off, splatter
Beef jerky
After hours in the farm shop restaurant bar
Keys in a bowl murky
Legs eleven
Hundred percent dolphin-friendly
Nets in caravan kitchen heaven
We ain't got a lot
And I don't want God's plan
Is it twenty-five pound a month for the handset
And free calls to the promised land?
We ain't got a lot
And I don't want God's plan
Is it twenty-five pound a month for the handset
And free calls to the promised land?
I don't want God's plan
Is it twenty-five pound a month
And free calls to the promised land?
It is bastard biz
Slim shirt, belly pops out
They call me Big Burt
Belly pops out
They call me Big Burt
Belly pops out
They call me Big Burt
(They call me Big Burt)
Sleaford Mods are a post-punk duo formed in Nottingham in 2007 by vocalist Jason Williamson and musician Simon Parfrement. In 2012, Parfrement was replaced by Andrew Fearn. Known for their abrasive and minimalist musical style, Sleaford Mods stand out for their diatribes against austerity Britain, the working class condition, and consumerist culture. Their songs often incorporate samples of electronic music and industrial rhythms, creating a unique and powerful sound. Their album *Eton Alive* (2014) has been called "the most complete manifesto of working-class rage exasperated by widespread digital alienation". Representative tracks include: *Tied Up In Notts*, *Austerity*, *Bunch of Kunst*.
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