R. Brewster-Miller)
I spend my life
scratching in the dirt
trying to find someone to clean me up
and give back what I deserve
there's footsteps from behind
there's knocking on my door
but there's nobody there
I said I didn't need them any more
Picking up pieces
trying to make them fit
thinking about Jesus
shivering in the heat
up against the world
like a dead end kid
you spend your life
bleeding
I see faces on the ceiling
when I lie awake in bed
and I can never shed the tears
always damming up my head
it's so easy to pretend
I don't believe in
all that I said
Picking up pieces
trying to make them fit
thinking about Jesus
shivering in the heat
up against the world
like a dead end kid
you spend your life
bleeding...
You spend your life
blaming the gods
you believe in
redirecting Valentines
from Eden
you've been trying
you've been lying
you've been crucifying
you spend your life
bleeding with the times
I see myself
silhouetted at the wheel
like an alien without a friend
nothing to conceal
so I climb into the back seat
and I wonder if it's love
when it's down to getting naked
it's just like any other photograph
Picking up pieces
trying to make them fit
thinking about Jesus
shivering in the heat
up against the world
like a dead end kid
dreaming up speeches
the rebel hypocrite
only one step ahead
of lying in the street
you spend you life bleeding
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The Angels sono una leggendaria band australiana di hard rock, attiva dal 1975 ad oggi. Originari di Sydney, hanno contribuito in modo significativo alla scena musicale australiana e internazionale con un sound potente e riff memorabili. Considerati pionieri del movimento punk-rock australiano, hanno influenzato generazioni di musicisti. Tra i loro brani più famosi si ricordano "Am I Ever Gonna See Your Face Again", "No Secrets" e "Take A Long Line". L'album "Face to Face" (1978) è considerato un classico del rock australiano. La band ha attraversato diverse fasi, con cambiamenti nella formazione nel corso degli anni, ma il loro impatto sulla musica australiana rimane indubbio.
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