I know I am because I said am
I know I am because I said am
I know I am because I said am
My body is home
My body is home
I know I am because I said am
I know I am because I said am
I know I am because I said am
So try this
Take your hands over your bumpy lovebody naked
And remember the first time you touched someone
With the sole purpose of learning all of them
Touched them because the light was pretty on them
And the dust in the sunlight danced the way your heart did
Touch yourself with a purpose
Your body is the most beautiful royal
Fathers and uncles are not claiming your knife anymore
Are not your razor, no
Put the sharpness back
Lay your hands flat and feel the surface of scarred skin
I once touched a tree with charred limbs
The stump was still breathing
But the tops were just ashy remains
I wonder what it's like to come back from that
Sometimes I feel a forest fire erupting from my wrists
And the smoke signals sent out are the most beautiful things
I've ever seen
Love your body the way your mother loved your baby feet
And brother, arm wrapping shoulders, and remember
This is important
You are worth more than who you fuck
You are worth more than a waistline
You are worth more than any naked body could proclaim
In the shadows, more than a man's whim
Or your father's mistake
You are no less valuable as a size 16, than a size 4
You are no less valuable as a 32a than a 36c
Your sexiness is defined by concentric circles within your wood
Wisdom
You are a goddamn tree stump with leaves sprouting out
Reborn
Mary Lambert is an American film director known for her work in independent cinema and her focus on representing social and political themes. Born in Seattle, Washington, Lambert studied directing at the University of California, Los Angeles (UCLA). Her first feature film, *Pet Sematary*, released in 1989, became a cult classic thanks to its unsettling take on Stephen King's story. Among her most notable works are also *Runaway Train* (1985) and *Sliver* (1993). Lambert has been an influential figure in American cinema, helping to define the horror genre of the 1980s and 1990s with her ability to create dense and unsettling atmospheres.
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